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            <title>“Come, here’s to the Knights of the true royal oak”</title>
            
            
            <respStmt>
               <resp ref="resp:ill">Illustrator</resp>
               <persName ref="pros:rick1">
                  <forename>Charles de Sousy</forename>
                  <surname>Ricketts</surname>
                  <name type="displayName">Ricketts, Charles</name>
               </persName>
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            <respStmt>
               <resp ref="resp:ill">Illustrator</resp>
               <persName ref="pros:sava2">
                  <forename>Reginald</forename>
                  <surname>Savage</surname>
                  <name type="displayName">Savage, Reginald</name>
               </persName>
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          Metadata research and editing
          <date notAfter="2023-08-14"/>
               </resp>
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                  <title level="m">DVPP</title> Project Team</name>
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         </titleStmt>
         <publicationStmt>
            <publisher>University of Victoria Digital Victorian Periodical Poetry Project</publisher>
            <pubPlace>Victoria, BC, Canada</pubPlace>
            <availability>
               <p>In the public domain</p>
            </availability>
            
            <date notAfter="2023" notBefore="2016"/>
         </publicationStmt>
         <notesStmt>

            <note>Part of the series <title level="a">The House of Tudor, and The House of Stuart In Ballad and Verse.</title> Poem ends <q>Fragment of Loyalist Song.</q></note>
         </notesStmt>
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            <bibl corresp="dvpp:bib_13" n="Atal">
               <title level="j">Atalanta</title>
               <biblScope unit="volume">6</biblScope>
               <biblScope unit="issue">63</biblScope>
               <biblScope unit="page" from="188" to="189">188–189</biblScope>
               <date when="1892-12"/>
            </bibl>
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                     <incipit>Come, here’s to the Knights of the true royal oak</incipit>
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         <change who="dvpp:prs_ed_kshf" when="2022-02-11">Corrected and proofed figures and figDescs.</change>
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               <figDesc>A group of men gather around a table. A man who is roughly centered in the illustration looks directly at the viewer and plays
                  a lyre. Some of the other men watch him. There are cups and plates on the table. A man in the background stands and holds a pitcher
                  in one hand and a cup in the other. The corner of a fireplace is partially visible in the lower-right portion of the illustration.
                  Smoke emits from the fireplace and rises up and around the figures. There is a pile of kindling on the floor at the forefront of the
                  illustration. Full-page illustration contained within a sketch-like border. The following hand-drawn caption is centered below the
                  illustration: “...Come join hand in hand, in full chorus with me God Bless Charlie Stuart...” This caption is contained within a
                  border with curled corners that adjoins the above illustrations. Also within the border are stylized fruits and vegetal shapes
                  contained in small, dark rectangles.</figDesc>
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               <figDesc>Branches with leaves and acorns form a border around the poem letterpress. Some parts of the border extend into the poem
                  space; in these sections, the letterpress is placed around the illustration.</figDesc>
               <!-- 2021-12-23 KAF: Same illustration in poems 2316, 2369, 2267, and 2243. -->
            </figure>
            <figure resp="dvpp:prs_ed_kaf" ana="dvpp:fcLivingThingPlant">
               <figDesc>Illustrated initial letter “C” from the first word of the poem, “Come”. The letter is placed within a dark square that also
                  contains leaves. 1/32 page.</figDesc>
            </figure>
            <!--Put your poem here.-->
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