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            <title>The Flight from Granada</title>
            
            
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               <persName ref="pros:lock2">
                  <forename>John Gibson</forename>
                  <surname>Lockhart</surname>
                  <name type="displayName">Lockhart, John Gibson</name>
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          Metadata research and editing
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                  <title level="m">DVPP</title> Project Team</name>
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                  <date when="2018-11-27"/>
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               <persName ref="dvpp:prs_ed_kaf">
                  <surname>Fralick</surname>
                  <forename>Kaitlyn</forename>
               </persName>
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         <publicationStmt>
            <publisher>University of Victoria Digital Victorian Periodical Poetry Project</publisher>
            <pubPlace>Victoria, BC, Canada</pubPlace>
            <availability>
               <p>In the public domain</p>
            </availability>
            
            <date notAfter="2023" notBefore="2016"/>
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            <note>Published under the joint title <title level="a">Horæ Hispanicæ.—No I. The Moorish Ballads,</title> within a prose essay <title level="a">Moorish Ballads</title> (481-91) (KF). The translation is unsigned; attribution from Lockhart’s <title level="m">Ancient Spanish Ballads</title>, John Murray, 1859 (AC).</note>
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               <title level="j">Blackwood’s Edinburgh Magazine</title>
               <biblScope unit="volume">6</biblScope>
               <biblScope unit="issue">35</biblScope>
               <biblScope unit="page" from="491" to="491">491</biblScope>
               <date when="1820-02"/>
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                     <incipit>There was crying in Granada when the sun was going down,</incipit>
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            <derivation type="translation">
               <lang>Spanish</lang>
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            <head>The Flight from Granada<hi rendition="#pom_7841_hidden #pom_7841_incid_showInline">.</hi>
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               <l><hi rendition="#pom_7841_incid_small-caps">There</hi> was crying in Granada when the sun was going <rhyme type="dvpp:rhymeMasculine" label="a">down</rhyme>,</l>
               <l>Some calling on the Trinity, some calling on Ma<rhyme type="dvpp:rhymeMasculine" label="a">houn</rhyme> ;</l>
               <l>Here passed away the Koran, there in the Cross was <rhyme type="dvpp:rhymeMasculine" label="b">borne</rhyme>,</l>
               <l>And here was heard the Christidan bell, and there the Moorish <rhyme type="dvpp:rhymeMasculine" label="b">horn</rhyme> ;</l>
               <l>Te Deum Laudamus was up the Alcala <rhyme type="dvpp:rhymeMasculine" label="c">sung</rhyme> ;</l>
               <l>Down from th’ Alhamra’s minarets were all the crescents <rhyme type="dvpp:rhymeMasculine" label="c">flung</rhyme> ;</l>
               <l>The arms thereon of Arragon and Castille they di<rhyme type="dvpp:rhymeMasculine" label="d">splay</rhyme> ;</l>
               <l>One king comes in in triumph, one weeping goes a<rhyme type="dvpp:rhymeMasculine" label="d">way</rhyme>.</l>
               <l>Thus cried the weeper while his hands his old white beard did <rhyme type="dvpp:rhymeMasculine" label="e">tear</rhyme>,</l>
               <l>Farewell, farewell, Granada, thou city without <rhyme type="dvpp:rhymeMasculine" label="e">peer</rhyme> ;</l>
               <l>Wo, wo, thou pride of Heathendom, seven hundred years and <rhyme type="dvpp:rhymeMasculine" label="f">more</rhyme></l>
               <l>Have gone since first the faithful thy royal sceptre <rhyme type="dvpp:rhymeMasculine" label="f">bore</rhyme>.</l>
               <l>Thou wert the happy mother of an high renowned <rhyme type="dvpp:rhymeMasculine" label="g">race</rhyme> ;</l>
               <l><seg ana="dvpp:sdAnaphora">Within thee</seg> dwelt a noble line that now go from their <rhyme type="dvpp:rhymeMasculine" label="g">place</rhyme> ;</l>
               <l><seg ana="dvpp:sdAnaphora">Within thee</seg> fearless knights did dwell who fought with meikle <rhyme type="dvpp:rhymeMasculine" label="h">glee</rhyme></l>
               <l><seg ana="dvpp:sdAnaphora">The</seg> enemies of proud Castille, the bane of Christien<rhyme type="dvpp:rhymeHalf" label="h">tée</rhyme>.</l>
               <l><seg ana="dvpp:sdAnaphora">The</seg> mother of fair dames wert thou of truth and beauty <rhyme type="dvpp:rhymeMasculine" label="i">rare</rhyme>,</l>
               <l>Into whose arms did noble knights for solace sweet re<rhyme type="dvpp:rhymeMasculine" label="i">pair</rhyme>—</l>
               <l>For whose dear sakes the gallants of Afric made di<rhyme type="dvpp:rhymeMasculine" label="d">splay</rhyme></l>
               <l>Of might in joust and battle on many a bloody <rhyme type="dvpp:rhymeMasculine" label="d">day</rhyme> :</l>
               <l>Here gallants held it little thing for ladies’ sake to <rhyme type="dvpp:rhymeMasculine" label="j">die</rhyme>,</l>
               <l>Or for the Prophet’s honour—and pride of Soldan<rhyme type="dvpp:rhymeMasculine" label="j">ry</rhyme>.</l>
               <l>In thee did vila flourish, and deeds of warlike <rhyme type="dvpp:rhymeMasculine" label="k">might</rhyme></l>
               <l>Ennobled lordly palaces, in which we had de<rhyme type="dvpp:rhymeMasculine" label="k">light</rhyme>.</l>
               <l>The gardens of thy Vega, its fields and blooming <rhyme type="dvpp:rhymeFeminine" label="l">bowers</rhyme>—</l>
               <l>Wo, wo, I see their beauty gone, and scattered all their <rhyme type="dvpp:rhymeFeminine" label="l">flowers</rhyme>.—</l>
               <l>No reverence can he claim the king that such a land hath <rhyme type="dvpp:rhymeMasculine" label="m">lost</rhyme>,</l>
               <l>On charger never can he ride, nor be heard among the <rhyme type="dvpp:rhymeEye" label="m">host</rhyme>—</l>
               <l>But in some dark and dismal place where none his face may <rhyme type="dvpp:rhymeMasculine" label="n">see</rhyme>,</l>
               <l>There, weeping and lamenting, alone that king should <rhyme type="dvpp:rhymeMasculine" label="n">be</rhyme>.—</l>
               <l>Thus spake Granada’s king as he was riding to the <rhyme type="dvpp:rhymeMasculine" label="n">sea</rhyme>,</l>
               <l>About to cross Gibraltar’s strait away to Barba<rhyme type="dvpp:rhymeMasculine" label="n">ry</rhyme>—</l>
               <l>Thus he in heaviness of soul unto his queen did <rhyme type="dvpp:rhymeMasculine" label="j">cry</rhyme>—</l>
               <l>(He had stopped and ta’en her in his arms, for together did they <rhyme type="dvpp:rhymeMasculine" label="j">fly</rhyme>,</l>
               <l>Filling with groans and piercing shrieks the black and trembling <rhyme type="dvpp:rhymeMasculine" label="j">sky</rhyme>)—</l>
               <l>Unhappy king ! whose craven soul can brook (did she re<rhyme type="dvpp:rhymeMasculine" label="j">ply</rhyme>),</l>
               <l>To leave behind Granada, and hast not heart to <rhyme type="dvpp:rhymeMasculine" label="j">die</rhyme>,</l>
               <l>Now for the love I bore thy youth thee gladly could I <rhyme type="dvpp:rhymeMasculine" label="d">slay</rhyme>,</l>
               <l>For what is life to leave when such a crown is cast a<rhyme type="dvpp:rhymeMasculine" label="d">way</rhyme> !</l>
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