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            <title>John and Joan, Canto II</title>
            
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               <persName>
                  <forename>Thomas</forename>
                  <surname>Doubleday</surname>
                  <name type="displayName">Doubleday, Thomas</name>
               </persName>
               <persName type="pseudo">Josiah Shufflebotham</persName>
            </author>
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          Metadata research and editing
          <date notAfter="2023-08-14"/>
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                  <title level="m">DVPP</title> Project Team</name>
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            <respStmt>
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                  <date when="2019-01"/>
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               <persName ref="dvpp:prs_ed_kshf">
                  <surname>Fukushima</surname>
                  <forename>Kailey</forename>
               </persName>
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         </titleStmt>
         <publicationStmt>
            <publisher>University of Victoria Digital Victorian Periodical Poetry Project</publisher>
            <pubPlace>Victoria, BC, Canada</pubPlace>
            <availability>
               <p>In the public domain</p>
            </availability>
            
            <date notAfter="2023" notBefore="2016"/>
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         <notesStmt>

            <note>This poem is a parody of Byron’s <title level="a">Don Juan.</title> (AC)</note>
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               <title level="j">Blackwood’s Edinburgh Magazine</title>
               <biblScope unit="volume">7</biblScope>
               <biblScope unit="issue">40</biblScope>
               <biblScope unit="page" from="437" to="441">437–441</biblScope>
               <date when="1820-07"/>
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                     <incipit>Loud laugh’d the Soldier ; when the Reeve, who now</incipit>
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         <pb/>
         <!-- <div type="letter" style="width: 36em;">
            <head>JOHN AND JOAN, A NEW POEM.</head>
            <head style="font-size: 100%; margin-bottom: 1.3em;">
               <hi>To Christopher North</hi>, <emph>Esquire</emph>.</head>
            <opener>
               <salute style="font-size: 80%; margin-left: 3em; letter-spacing: 0.06em;">HONOURED AND LEARNED SIR,</salute>
            </opener>
            <p style="margin-left: 0em;"><hi>I may</hi> opine, from the tenor of sundry weighty articles in your invaluable<lb/>Miscellany, entitled
               Blackwood’s Edinborough Magazine, that I shall be fortified<lb/>by your support in mine estimation of a work of seductive and popular
               Poesy,<lb/>the which hath been lately published ; (it is needless to say that I mean the<lb/>celebrated Don Juan, (or John) of that
               most noble and illustrious genious, the<lb/>Right Honourable, my Lord Byron ;) forasmuch as it containeth, not covertly<lb/>wrapt up,
               but palpably embodied and consubstantiated, divers insinuations<lb/>against matters of minor belief, both as to morality and decorum,
               of all persons<lb/>have been blessed with a regular and well grounded education. In pur-<lb/>suance hereof, have I bethought myself,
               moreover, to attempt a work unto the<lb/>best of my poor endeavours, the which, peradventure, may serve (in lack of a <lb/>better,) as
               a sort of antidote or counter-charm, for this giddy generation, to<lb/>the dangerous maxims set forth in that famous and much perused
               poem ; al-<lb/>ways provided, that it is far from mine intention to put myself for a moment<lb/>on the same parallel with its right
               noble and honourable author.</p>
            <p>Howbeit, learned Sir, I now venture to send you a select fragment, or rather<lb/>portion thereof, the which I have concocted and
               elaborated to the uttermost of<lb/>my poetical capabilities ; and the which redoundeth to the credit of a sex and<lb/>state too lightly
               held and treated of by the (otherwise) right noble and honour-<lb/>able poet.</p>
            <p>Nor do I dubitate, learned Sir, that, sans further peroration or introduc-<lb/>tion, your approved critical judgment, in such like
               matters, will not fail duly<lb/>to appreciate its <emph>serious</emph> and (I may say) <emph>didactic</emph> tendency, notwithstanding,
               it <lb/>be composed in a metre, or stanza, the which hath been, of late, too much ap-<lb/>propriated unto unprofitable jocularities and
               facetiousness. Craving licence, I<lb/>endite myself, honoured and learned Sir, &amp;c. &amp;c. &amp;c.</p>
            <closer>
               <signed style="margin-left: 22em;">Josiah Shufflebotham.</signed>
               <dateline>
                  <hi style="font-variant: normal; letter-spacing: 0em; margin-left: 1em;">
                     <emph>July</emph> 12<emph>th, A. D.</emph> 1820.</hi>
                  <lb/>
                  <emph>Gowkshall Northumberland</emph>.</dateline>
            </closer>
         </div>  -->
         <div type="poem" rhyme="abababcc" rendition="#pom_8733_incid_poem">
            <head>John and Joan, Canto II<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi>
            </head>
            <lg rhyme="abababcc">
               <head>1<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>Loud laugh’d the Soldier ; when the Reeve, who <rhyme type="dvpp:rhymeMasculine" label="a">now</rhyme></l>
               <l>In sullen silent guise had sitten <rhyme type="dvpp:rhymeMasculine" label="b">long</rhyme>,</l>
               <l>With doubtful eye, bent head and moody <rhyme type="dvpp:rhymeMasculine" label="a">brow</rhyme>,</l>
               <l>The whiles the glee and laughter waxed <rhyme type="dvpp:rhymeMasculine" label="b">strong</rhyme>,</l>
               <l>As if it gaul’d him sorely, seeing <rhyme type="dvpp:rhymeMasculine" label="a">how</rhyme></l>
               <l>Thus ladies gent were treated with such <rhyme type="dvpp:rhymeMasculine" label="b">wrong</rhyme>,</l>
               <l>With accents rather low, and somewhat <rhyme type="dvpp:rhymeMasculine" label="c">hoarse</rhyme>,</l>
               <l>Began, in gentle phrases, his dis<rhyme type="dvpp:rhymeMasculine" label="c">course</rhyme>.</l>
            </lg>
            <lg rhyme="dededeff">
               <head>2<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>Ah ! Sirs, quoth he, were I to tell a <rhyme type="dvpp:rhymeMasculine" label="d">tale</rhyme></l>
               <l>For every lying legend ye have <rhyme type="dvpp:rhymeMasculine" label="e">told</rhyme>,</l>
               <l>Invented, at a gentle sex to <rhyme type="dvpp:rhymeMasculine" label="d">rail</rhyme>,</l>
               <l>By those whose heads are hot and hearts are <rhyme type="dvpp:rhymeMasculine" label="e">cold</rhyme>,</l>
               <l>Believe, my store of praise would never <rhyme type="dvpp:rhymeMasculine" label="d">fail</rhyme>,</l>
               <l>Tho’ I should parable till I were <rhyme type="dvpp:rhymeMasculine" label="e">old</rhyme> ;</l>
               <l>But this that I am going to re<rhyme type="dvpp:rhymeMasculine" label="f">late</rhyme></l>
               <l>Shall serve for many, sith it is so <rhyme type="dvpp:rhymeMasculine" label="f">great</rhyme>.</l>
            </lg>
            <lg rhyme="ghghghii">
               <head>3<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>Of woman’s love, which is so hard to <rhyme type="dvpp:rhymeMasculine" label="g">woo</rhyme>,</l>
               <l>When woo’d, how strong, full many proofs there <rhyme type="dvpp:rhymeMasculine" label="h">be</rhyme>,</l>
               <l>And how immutable and fearless <rhyme type="dvpp:rhymeMasculine" label="g">too</rhyme>—</l>
               <l>“ My love, thro’ all the world I’ll follow <rhyme type="dvpp:rhymeMasculine" label="h">thee</rhyme>,”</l>
               <pb/>
               <l>So Juliet says—— ; the bird that cries “ cuc<rhyme type="dvpp:rhymeMasculine" label="g">koo</rhyme>,”</l>
               <l>His small mate followeth thus from tree to <rhyme type="dvpp:rhymeMasculine" label="h">tree</rhyme>,</l>
               <l>From bough to bough—nay e’en from spray to <rhyme type="dvpp:rhymeMasculine" label="i">spray</rhyme>,—</l>
               <l>Still restless, thro’ the merry hours of <rhyme type="dvpp:rhymeMasculine" label="i">May</rhyme>.</l>
            </lg>
            <lg rhyme="jkjkjkll">
               <head>4<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l><seg ana="dvpp:sdAnaphora">And</seg> while our Love hath nurture, to en<rhyme type="dvpp:rhymeMasculine" label="j">dure</rhyme></l>
               <l><seg ana="dvpp:sdAnaphora">And</seg> burn, like radiant beacon, seen a<rhyme type="dvpp:rhymeMasculine" label="k">far</rhyme>,</l>
               <l>Thro’ untried seas a streaming Cyno<rhyme type="dvpp:rhymeMasculine" label="j">sure</rhyme>,</l>
               <l>At once our Matin and our Vesper <rhyme type="dvpp:rhymeMasculine" label="k">star</rhyme>,</l>
               <l>No marvel it abideth strong and <rhyme type="dvpp:rhymeMasculine" label="j">sure</rhyme>,</l>
               <l>Amid the turmoils of this worldly <rhyme type="dvpp:rhymeMasculine" label="k">war</rhyme>,</l>
               <l>A constant pilot, and a guiding <rhyme type="dvpp:rhymeMasculine" label="l">light</rhyme>,</l>
               <l>Thro’ storms by day, and rocks and shoals by <rhyme type="dvpp:rhymeMasculine" label="l">night</rhyme>.</l>
            </lg>
            <lg rhyme="mnmnmnoo">
               <head>5<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>But when, to feed the fire, it once is <rhyme type="dvpp:rhymeMasculine" label="m">seen</rhyme></l>
               <l>That fit material doth not much a<rhyme type="dvpp:rhymeMasculine" label="n">bound</rhyme>,</l>
               <l><seg ana="dvpp:sdAnaphora">Or</seg> that no fuel, save or damp or <rhyme type="dvpp:rhymeMasculine" label="m">green</rhyme>,</l>
               <l><seg ana="dvpp:sdAnaphora">Or</seg> else cross-grain’d or knotty, can be <rhyme type="dvpp:rhymeMasculine" label="n">found</rhyme>,</l>
               <l><seg ana="dvpp:sdAnaphora">And</seg> the flame waxeth rather thin and <rhyme type="dvpp:rhymeMasculine" label="m">mean</rhyme>,</l>
               <l><seg ana="dvpp:sdAnaphora">And</seg> yieldeth an uneasy, crackling <rhyme type="dvpp:rhymeMasculine" label="n">sound</rhyme>,</l>
               <l>Flickers, looks blue,—looks red—or waves a<rhyme type="dvpp:rhymeMasculine" label="o">bout</rhyme>, </l>
               <l>Now very smoky, and now nearly <rhyme type="dvpp:rhymeMasculine" label="o">out</rhyme> ;</l>
            </lg>
            <lg rhyme="pqpqpqrr">
               <head>6<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>Then, mid the storms of ill-contrasted <rhyme type="dvpp:rhymeFeminine" label="p">temper</rhyme>,</l>
               <l>Where neither hath a tittle of sub<rhyme type="dvpp:rhymeFeminine" label="q">mission</rhyme>,</l>
               <l>This <emph>semper idem</emph>, that <emph>eadem <rhyme type="dvpp:rhymeFeminine" label="p">semper</rhyme></emph>,</l>
               <l>For ever crossing, always in at<rhyme type="dvpp:rhymeFeminine" label="q">trition</rhyme>,</l>
               <l>(‘Twould puzzle metaphysic Kant, or <rhyme type="dvpp:rhymeHalf" label="p">Kempfer</rhyme>,</l>
               <l>To bring about a moment’s coa<rhyme type="dvpp:rhymeFeminine" label="q">lition</rhyme>,)</l>
               <l>Then, that such souls as these should still love <rhyme type="dvpp:rhymeMasculine" label="r">on</rhyme>,</l>
               <l>That is a miracle for Love a<rhyme type="dvpp:rhymeHalf" label="r">lone</rhyme> !</l>
            </lg>
            <lg rhyme="stststuu">
               <head>7<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>It springeth like that low and unseen <rhyme type="dvpp:rhymeMasculine" label="s">Rose</rhyme></l>
               <l>That on the mountain summit dares to <rhyme type="dvpp:rhymeMasculine" label="t">grow</rhyme>,</l>
               <l>Where Autumn hardly thaws the ling’ring <rhyme type="dvpp:rhymeMasculine" label="s">snows</rhyme>,</l>
               <l>And storms unheard, and unknown whirlwinds <rhyme type="dvpp:rhymeMasculine" label="t">blow</rhyme> ;</l>
               <l>There, where the weary, journeying clouds <rhyme type="dvpp:rhymeMasculine" label="s">repose</rhyme>,</l>
               <l>And the moon climbs, with long ascent and <rhyme type="dvpp:rhymeMasculine" label="t">slow</rhyme>,</l>
               <l>And fays and lesser spirits play at <rhyme type="dvpp:rhymeFeminine" label="u">even</rhyme>,</l>
               <l>Like harmless lightning in a summer’s <rhyme type="dvpp:rhymeHalf" label="u">heaven</rhyme>.</l>
            </lg>
            <lg rhyme="vwvwvwxx">
               <head>8<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>’Tis like the Petrel that the sailor <rhyme type="dvpp:rhymeMasculine" label="v">eyes</rhyme></l>
               <l>With dread,—o’er treach’rous seas condemn’d to <rhyme type="dvpp:rhymeMasculine" label="w">roam</rhyme>,—</l>
               <l>That still is met beneath the stormiest <rhyme type="dvpp:rhymeMasculine" label="v">skies</rhyme>,</l>
               <l>And on the desert waters hath its <rhyme type="dvpp:rhymeMasculine" label="w">home</rhyme> ;</l>
               <l>Above the curling billow still it <rhyme type="dvpp:rhymeMasculine" label="v">flies</rhyme>,</l>
               <l>And sleeps well cradled in the fleecy <rhyme type="dvpp:rhymeMasculine" label="w">foam</rhyme>,</l>
               <l>Lull’d by the discord of the whistling <rhyme type="dvpp:rhymeMasculine" label="x">squall</rhyme>,</l>
               <l>And rock’d to rest on hills that rise and <rhyme type="dvpp:rhymeMasculine" label="x">fall</rhyme>.</l>
            </lg>
            <lg rhyme="yzyzyza1a1">
               <head>9<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>And this is none of your glib para<rhyme type="dvpp:rhymeFeminine" label="y">doxes</rhyme>,</l>
               <l>That only serve the wags for mysti<rhyme type="dvpp:rhymeFeminine" label="z">fying</rhyme>,</l>
               <l>As conj’rors do with double-bottom’d <rhyme type="dvpp:rhymeFeminine" label="y">boxes</rhyme>—</l>
               <l>Behold a couple for each other <rhyme type="dvpp:rhymeFeminine" label="z">dying</rhyme>,</l>
               <l>(Unless the author of the hist’ry <rhyme type="dvpp:rhymeHalf" label="y">mocks us</rhyme>)</l>
               <l>Who all their lives in quarrel had been <rhyme type="dvpp:rhymeFeminine" label="z">frying</rhyme>.</l>
               <l>Their matrimonial pudding was of <emph><rhyme type="dvpp:rhymeFeminine" label="a1">Batter</rhyme></emph>,</l>
               <l>With scarce a plumb to sweeten it ;—no <rhyme type="dvpp:rhymeFeminine" label="a1">matter</rhyme>.—</l>
            </lg>
            <pb/>
            <lg rhyme="hb1hb1hb1c1c1">
               <head>10<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>Oh ! miracle ! (—a greater can there <rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">be</rhyme> —?) </l>
               <l>To see how Love can shed his holiest <rhyme type="dvpp:rhymeMasculine" label="b1">balm</rhyme>,</l>
               <l>Within a circle none dares walk but <rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">he</rhyme> —;</l>
               <l>Where all are sick, fresh and without a <rhyme type="dvpp:rhymeMasculine" label="b1">qualm</rhyme>;</l>
               <l>So underneath the depths of the wild <rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">sea</rhyme>,</l>
               <l>Ev’n in the loudest storms,—<emph>there</emph> is a <rhyme type="dvpp:rhymeMasculine" label="b1">calm</rhyme>,</l>
               <l>But truce to hopes—my story must be <rhyme type="dvpp:rhymeMasculine" label="c1">sped</rhyme>,</l>
               <l>John met with Joan, lov’d, woo’d, and they were <rhyme type="dvpp:rhymeMasculine" label="c1">wed</rhyme>.</l>
            </lg>
            <lg rhyme="d1gd1gd1ge1e1">
               <head>11<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>One small objection, either they o’er<rhyme type="dvpp:rhymeMasculine" label="d1">passed</rhyme>,</l>
               <l>Or else despised, when it was brought in <rhyme label="g" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">view</rhyme> ;</l>
               <l>He was an <emph>alkali</emph>, and she an <emph><rhyme type="dvpp:rhymeHalf" label="d1">acid</rhyme></emph>,</l>
               <l>And this, when ’twas too late, they found too <rhyme label="g" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">true</rhyme>,</l>
               <l>The longer still the more, they <emph>effer<rhyme type="dvpp:rhymeHalf" label="d1">vesced</rhyme></emph>,</l>
               <l>As more confirmed, by time, their tempers <rhyme label="g" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">grew</rhyme>,—</l>
               <l>A sort of fizzing, sputtering comm<rhyme type="dvpp:rhymeFeminine" label="e1">union</rhyme>,</l>
               <l>Sir Humphrey Davy calls “ <emph>a chemic <rhyme type="dvpp:rhymeIdentical" label="e1">union</rhyme></emph>.”</l>
            </lg>
            <lg rhyme="f1of1of1og1g1">
               <head>12<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>Like that small, wooden pair that stand, so <rhyme type="dvpp:rhymeMasculine" label="f1">sly</rhyme>,</l>
               <l>To tell us what the weather is a<rhyme label="o" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">bout</rhyme>,</l>
               <l>Where Gammer comes and curtsies, when ’tis <rhyme type="dvpp:rhymeMasculine" label="f1">dry</rhyme>,</l>
               <l>And Gaffer, when it rains, doth make his <rhyme label="o" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">lout</rhyme>,</l>
               <l>So sometimes they might have a clearish <rhyme type="dvpp:rhymeMasculine" label="f1">sky</rhyme>,</l>
               <l>But ’twas when he was in, and she was <rhyme label="o" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">out</rhyme> ;—</l>
               <l>As for the couple that arrange the <rhyme type="dvpp:rhymeFeminine" label="g1">weather</rhyme>,</l>
               <l>God knows, <emph>they</emph> never are at home to<rhyme type="dvpp:rhymeFeminine" label="g1">gether</rhyme>.</l>
            </lg>
            <lg rhyme="h1i1h1i1h1i1j1j1">
               <head>13<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>So, long, this loving, most unhappy <rhyme type="dvpp:rhymeMasculine" label="h1">pair</rhyme></l>
               <l>Liv’d, like a brace of angry adders <rhyme type="dvpp:rhymeMasculine" label="i1">fang’d</rhyme>,</l>
               <l>So piteous of each others’ woes they <rhyme type="dvpp:rhymeHalf" label="h1">were</rhyme>,</l>
               <l>One could have borne to see the other <rhyme type="dvpp:rhymeMasculine" label="i1">hang’d</rhyme>,</l>
               <l>(Altho’ that sight were worse than death to <rhyme type="dvpp:rhymeMasculine" label="h1">bear</rhyme>)</l>
               <l>Each for the others’ sake !——as they ha<rhyme type="dvpp:rhymeMasculine" label="i1">rangued</rhyme>,</l>
               <l>One day, upon the sorrows of their <rhyme type="dvpp:rhymeMasculine" label="j1">yoke</rhyme>,</l>
               <l>John, in a happy hour, resolv’d and <rhyme type="dvpp:rhymeMasculine" label="j1">spoke</rhyme>.</l>
            </lg>
            <lg rhyme="hf1hf1hf1k1k1">
               <head>14<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>“ Sweet Joan, thou know’st that I would die for <rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">thee</rhyme>,</l>
               <l>“ And well I know that thou for me would’st <rhyme label="f1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">die</rhyme>.”</l>
               <l>And here he <emph>twinkled</emph>, pitiful to <rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">see</rhyme> ;—</l>
               <l>Joan gave a sort of “ <emph>heigh</emph>!”—’twas scarce a <rhyme label="f1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">sigh</rhyme>,</l>
               <l>“ But wast thou gone, what maid would look on <rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">me</rhyme>,</l>
               <l>“ With grief an’ labour worn, and crabb’d and <rhyme label="f1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">dry</rhyme>,</l>
               <l>“ But thou, dear Joan, when faithful John hath <rhyme type="dvpp:rhymeMasculine" label="k1">died</rhyme>,</l>
               <l>“ May’st have a chance again to be a <rhyme type="dvpp:rhymeMasculine" label="k1">bride</rhyme>.”</l>
            </lg>
            <lg rhyme="l1m1l1m1l1m1f1f1">
               <head>15<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>“ And, so my loving Joan, my dear—dear, <rhyme type="dvpp:rhymeFeminine" label="l1">Cony</rhyme>,</l>
               <l>“ Since there is nothing but a choice of <rhyme type="dvpp:rhymeMasculine" label="m1">ill</rhyme>,</l>
               <l>“ Since I cannot afford thee ali<rhyme type="dvpp:rhymeFeminine" label="l1">mony</rhyme>,</l>
               <l>“ And would be loath by quarrelling to <rhyme type="dvpp:rhymeMasculine" label="m1">kill</rhyme>,</l>
               <l>“ (Thou know’st my love, my heart was never <rhyme type="dvpp:rhymeFeminine" label="l1">stoney</rhyme>)</l>
               <l>“ Oh! come and see me die—for die I <rhyme type="dvpp:rhymeMasculine" label="m1">will</rhyme>—</l>
               <l>“ Die for the love of thee, my darling, <rhyme label="f1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">die</rhyme>,—</l>
               <l>“ Yes ;—quickly in the horsepond will I <rhyme label="f1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">lie</rhyme>.”</l>
            </lg>
            <lg rhyme="n1e1n1e1n1e1o1o1">
               <head>16<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>“ Let not the bitter drops, my gentle <rhyme type="dvpp:rhymeMasculine" label="n1">Joan</rhyme>,</l>
               <l>“ Bedim the lustre of thy cheek and <rhyme label="f1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">eye</rhyme>,</l>
               <l>“ For since the springtime of our life is <rhyme type="dvpp:rhymeMasculine" label="n1">flown</rhyme>,</l>
               <l>“ And winter comes, and summer passeth <rhyme label="f1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">bye</rhyme>,</l>
               <pb/>
               <l>“ Beneath the waters, peaceful and a<rhyme type="dvpp:rhymeMasculine" label="n1">lone</rhyme>, </l>
               <l>“ E’en like the torpid swallow, will I <rhyme label="f1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">lie</rhyme>,</l>
               <l>“ The cutting show’r unfelt—the storm un<rhyme type="dvpp:rhymeMasculine" label="o1">heard</rhyme>,</l>
               <l>“ And men shall say that John—hath <emph>disap<rhyme type="dvpp:rhymeHalf" label="o1">pear’d</rhyme></emph>.”</l>
            </lg>
            <lg rhyme="p1c1p1c1p1c1q1q1">
               <head>17<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>“ They ask—where goeth he that disap<rhyme type="dvpp:rhymeMasculine" label="p1">pears</rhyme> ?</l>
               <l>“ But who can tell where he migra<rhyme label="c1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">ted</rhyme> ?</l>
               <l>“ Hold but thy tongue, my Joan, and dry thy <rhyme type="dvpp:rhymeMasculine" label="p1">tears</rhyme>,—</l>
               <l>“ For trust me, Sweet, most vainly they are <rhyme label="c1" type="dvpp:rhymeHalf dvpp:rhymeCrossStanza">shed</rhyme> ;</l>
               <l>“ How can they reach a heart that’s proof to <rhyme type="dvpp:rhymeMasculine" label="p1">fears</rhyme>,</l>
               <l>“ In Love’s strong fortress, shut and shel<rhyme label="c1" type="dvpp:rhymeHalf dvpp:rhymeCrossStanza">tered</rhyme> ?</l>
               <l>“ What boots that haildrops down the chimney <rhyme type="dvpp:rhymeMasculine" label="q1">come</rhyme>,</l>
               <l>“ Hiss on the hearth, or patter round the <rhyme type="dvpp:rhymeHalf" label="q1">room</rhyme> ?—</l>
            </lg>
            <lg rhyme="r1s1r1s1r1s1t1t1">
               <head>18<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>In short, John’s flights of eloquence re<rhyme type="dvpp:rhymeMasculine" label="r1">fined</rhyme>,</l>
               <l>Joan’s answ’ring eloguence—by nature <rhyme type="dvpp:rhymeFeminine" label="s1">taught her</rhyme>,</l>
               <l>I could not copy, were I in the <rhyme type="dvpp:rhymeMasculine" label="r1">mind</rhyme> ;</l>
               <l>Nor can I tell you if her helpmate <rhyme type="dvpp:rhymeFeminine" label="s1">caught her</rhyme>,</l>
               <l>Less contradictiously, than wont, io<rhyme type="dvpp:rhymeHalf" label="r1">dine</rhyme></l>
               <l>Suffices it to say, they reach’d the <rhyme type="dvpp:rhymeFeminine" label="s1">water</rhyme>,</l>
               <l>Together—tho’ not arm in arm, I <rhyme type="dvpp:rhymeMasculine" label="t1">think</rhyme>,—</l>
               <l>But there they were, and stood upon the <rhyme type="dvpp:rhymeMasculine" label="t1">brink</rhyme>.</l>
            </lg>
            <lg rhyme="u1v1u1v1u1v1w1w1">
               <head>19<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>John hover’d on the brink, in silent <rhyme type="dvpp:rhymeMasculine" label="u1">mood</rhyme>,</l>
               <l><seg ana="dvpp:sdAnaphora">And</seg> look’d and sigh d, and sigh’d and look’d a<rhyme type="dvpp:rhymeMasculine" label="v1">gain</rhyme>,</l>
               <l><seg ana="dvpp:sdAnaphora">And</seg> gaz’d with wistful visage on, the <rhyme type="dvpp:rhymeMasculine" label="u1">flood</rhyme>,</l>
               <l>While, doubtfully, as pitying his <rhyme type="dvpp:rhymeMasculine" label="v1">pain</rhyme>,</l>
               <l>Joan, with her apron at her eyelid, <rhyme type="dvpp:rhymeMasculine" label="u1">stood</rhyme> ;</l>
               <l>At last, he seem’d to come into the <rhyme type="dvpp:rhymeMasculine" label="v1">vein</rhyme>,</l>
               <l>And turn’d, as if to take a final <rhyme type="dvpp:rhymeMasculine" label="w1">kiss</rhyme>,</l>
               <l>Before he plunged into the brown a<rhyme type="dvpp:rhymeMasculine" label="w1">byss</rhyme>.</l>
            </lg>
            <lg rhyme="x1y1x1y1x1y1z1z1">
               <head>20<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>But still a kind of look—not that of <rhyme type="dvpp:rhymeMasculine" label="x1">fear</rhyme>,</l>
               <l>Nor hope—play’d round his mouth, and cheek, and <rhyme type="dvpp:rhymeMasculine" label="y1">chin</rhyme> ;</l>
               <l>His eye chang’d not ; and, softly in her <rhyme type="dvpp:rhymeMasculine" label="x1">ear</rhyme>,</l>
               <l>He whisper’d Joan—“ Ah, me ! self-murder’s <rhyme type="dvpp:rhymeMasculine" label="y1">sin</rhyme>—</l>
               <l>Could’st thou not take a little frisk, my <rhyme type="dvpp:rhymeMasculine" label="x1">dear</rhyme>,</l>
               <l>As if in play, and gently push me <rhyme type="dvpp:rhymeMasculine" label="y1">in</rhyme> ;</l>
               <l>Nay, take a longer run—further, my <rhyme type="dvpp:rhymeMasculine" label="z1">life</rhyme>—</l>
               <l>There now—now stoutly push me, dearest <rhyme type="dvpp:rhymeMasculine" label="z1">wife</rhyme>.”</l>
            </lg>
            <lg rhyme="fhfhfha2a2">
               <head>21<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>O Couple ! e’en in death affectio<rhyme label="f" type="dvpp:rhymeEye dvpp:rhymeCrossStanza">nate</rhyme>,</l>
               <l>Not Arria and her Pœtus are before <rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">ye</rhyme> !</l>
               <l>Joan, fearful of the welfare of her <rhyme label="f" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">mate</rhyme>,</l>
               <l>Resolving that his soul should be in glo<rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">ry</rhyme>,</l>
               <l>And rest, at least, when in another <rhyme label="f" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">state</rhyme>,</l>
               <l>In love and strong affection (saith the sto<rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">ry</rhyme>),</l>
               <l>Drew back from him, some portion, not a <rhyme type="dvpp:rhymeMasculine" label="a2">little</rhyme>,</l>
               <l>Obeying her dear husband to a <rhyme type="dvpp:rhymeMasculine" label="a2">tittle</rhyme> ;</l>
            </lg>
            <lg rhyme="b2c2b2c2b2c2z1z1">
               <head>22<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>Then ran, with Amazonian reso<rhyme type="dvpp:rhymeFeminine" label="b2">lution</rhyme> :</l>
               <l>But whether John had only half con<rhyme type="dvpp:rhymeFeminine" label="c2">sented</rhyme>,</l>
               <l><seg ana="dvpp:sdAnaphora">Or</seg> fear was really in his consti<rhyme type="dvpp:rhymeFeminine" label="b2">tution</rhyme>,</l>
               <l><seg ana="dvpp:sdAnaphora">Or</seg> in the very nick he had re<rhyme type="dvpp:rhymeFeminine" label="c2">pented</rhyme> ;</l>
               <l><seg ana="dvpp:sdAnaphora">Or</seg> whether Fate herself was in con<rhyme type="dvpp:rhymeFeminine" label="b2">fusion</rhyme>,</l>
               <l><seg ana="dvpp:sdAnaphora">Or</seg> Fortune took a whim, or Chance re<rhyme type="dvpp:rhymeFeminine" label="c2">lented</rhyme>—</l>
               <l>How ’twas, I cannot tell you, for my <rhyme label="z1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">life</rhyme>,</l>
               <l>But John a sort of—dodg’d ;—in splash’d his <rhyme label="z1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">wife</rhyme>.</l>
            </lg>
            <pb/>
            <lg rhyme="vn1vn1vn1rr">
               <head>23<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>With open mouth, and saucer staring <rhyme label="v" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">eyes</rhyme>,</l>
               <l>John for a second stood like any <rhyme label="n1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">stone</rhyme>,</l>
               <l>Then lifted up his hands, in wild sur<rhyme label="v" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">prise</rhyme>—</l>
               <l>“ For love of me didst thou go in, dear <rhyme label="n1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">Joan</rhyme>,</l>
               <l>Or did’st thou slip thy foot ?—what signi<rhyme label="v" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">fies</rhyme> ?</l>
               <l>There are <emph>no slips</emph> ; and since ’tis done, ’tis <rhyme label="n1" type="dvpp:rhymeHalf dvpp:rhymeCrossStanza">done</rhyme> ;</l>
               <l>Folks only can remark, since thou art <rhyme label="r" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">gone</rhyme>,</l>
               <l>’Tis Joan hath <emph>disappear’d</emph>, instead of <rhyme label="r" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">John</rhyme>.”</l>
            </lg>
            <lg rhyme="d2xd2xd2xc1c1">
               <head>24<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>“ If there be any scandal, John shall <rhyme type="dvpp:rhymeFeminine" label="d2">bear it</rhyme>— </l>
               <l>Bear it he must, so even let it <rhyme label="x" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">fall</rhyme>.” </l>
               <l>Then (after some half hour), that all might <rhyme type="dvpp:rhymeHalf" label="d2">hear it</rhyme>,</l>
               <l>“ I’ve lost my Joan—help !” John began to <rhyme label="x" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">bawl</rhyme> ; </l>
               <l>And in a trice, his cause of grief to <rhyme type="dvpp:rhymeFeminine" label="d2">share it</rhyme>,</l>
               <l>Came trooping young and old, and great and <rhyme label="x" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">small</rhyme> ;</l>
               <l>They dragg’d the piece of water, it is <rhyme label="c1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">said</rhyme>,</l>
               <l>And so Joan was not lost, but she was—<rhyme label="c1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">dead</rhyme>.</l>
            </lg>
            <lg rhyme="e2f2e2f2e2f2k1k1">
               <head>25<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi></head>
               <l>She died—nor did her John long time sur<rhyme type="dvpp:rhymeMasculine" label="e2">vive</rhyme>,</l>
               <l>Tho’ folks have wonder’d what should John des<rhyme type="dvpp:rhymeMasculine" label="f2">troy</rhyme> ;</l>
               <l>Some said that with his grief he could not <rhyme type="dvpp:rhymeMasculine" label="e2">strive</rhyme>,</l>
               <l>Whilst others whisper’d that he died of <rhyme type="dvpp:rhymeMasculine" label="f2">joy</rhyme> ;</l>
               <l>Some say the juice which, when she was a<rhyme type="dvpp:rhymeMasculine" label="e2">live</rhyme>,</l>
               <l><emph>They</emph> took to soothe their woes, was <emph>his</emph> an<rhyme type="dvpp:rhymeMasculine" label="f2">noy</rhyme> ;</l>
               <l>But both are gone—nor is a stone sup<rhyme label="k1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">plied</rhyme>,</l>
               <l>To teach how this good couple liv’d and <rhyme label="k1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">died</rhyme>.</l>
            </lg>
            <milestone type="line" unit="transition" rendition="#pom_8733_hidden #pom_8733_incid_showBlock"/>
         </div>
         <div rendition="#pom_8733_incid_div-2">
            <head>Notes<hi rendition="#pom_8733_hidden #pom_8733_incid_showInline">.</hi>
            </head>
            <note>Stanza 6.—“ Kempfer,” one of the German Illustrissimi, now forgotten—a great phi-<lb/>losopher.</note>
            <note>Stanza 8.—“ The Petrel,” properly the “ Stormy Petrel,” vide the work of that ex-<lb/>cellent graver, and not to be surpassed, mine
               old and worthy friend, Mr Thomas Bewick,<lb/>on Water Birds.</note>
            <note>Stanza 12.—“ Small wooden pair.” There is a sort of old fashioned barometer, com-<lb/>mon in my younger days, consisting of a house
               with a male and female figure, who come<lb/>out, in alternation, as it is wet or dry. </note>
            <note>Stanza 16.—“ E’en like the torpid swallow.” Naturalists have conceited, that the<lb/>swallow lieth in a dormant state, at the bottom
               of deep waters, during winter. </note>
            <note>Stanza 23.—“ There are no slips ;” an expression of children at play, who cry “ no slips,”<lb/>when a false shoot at marbles, or
               toss at pitch-penny, occurreth. </note>
            <note>Stanza 25.—“ Some say the juice.” This might of a surety something aid the other<lb/>causes, inasmuch as he would have a duplicate
               portion after Joan’s decease ; a matter<lb/>which I have not hesitated to set forth, by marking the emphatical words with italic
               cha-<lb/>racters.</note>
         </div>
      </body>
   </text>
</TEI>