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            <title>The Village Funeral</title>
            
            <author ref="pros:gill5">
               <persName>
                  <addName type="honorific">Rev., LL.D.</addName>
                  <forename>Thomas</forename>
                  <surname>Gillespie</surname>
                  <name type="displayName">Gillespie, Thomas (1778-1844) (pseudonym <q>Juvenalis Junior</q>)</name>
               </persName>
               <persName type="pseudo">Juvenalis Junior</persName>
            </author>
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          Metadata research and editing
          <date notAfter="2023-08-14"/>
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                  <title level="m">DVPP</title> Project Team</name>
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               <resp ref="resp:mrk">
                  <date when="2019-02"/>
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               <persName ref="dvpp:prs_ed_kshf">
                  <surname>Fukushima</surname>
                  <forename>Kailey</forename>
               </persName>
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         </titleStmt>
         <publicationStmt>
            <publisher>University of Victoria Digital Victorian Periodical Poetry Project</publisher>
            <pubPlace>Victoria, BC, Canada</pubPlace>
            <availability>
               <p>In the public domain</p>
            </availability>
            
            <date notAfter="2023" notBefore="2016"/>
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         <notesStmt>
            <relatedItem target="dvpp:pom_8777"/>
            <relatedItem target="dvpp:pom_8779"/>
            <relatedItem target="dvpp:pom_8781"/>
            
            <note>Included in a sequence of poems titled <title level="a">Sketches of Village Life and Character</title> (631-36) (KAF). Poet attribution: <q>Juvenalis Junior</q> is the pseudonym of Thomas Gillespie (AC).</note>
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            <bibl corresp="dvpp:bib_20" n="Maga">
               <title level="j">Blackwood’s Edinburgh Magazine</title>
               <biblScope unit="volume">7</biblScope>
               <biblScope unit="issue">42</biblScope>
               <biblScope unit="page" from="635" to="636">635–636</biblScope>
               <date when="1820-09"/>
            </bibl>
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                     <incipit>Long had the cheek, by seeming health o’erspread,</incipit>
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            <head>The Village Funeral<hi rendition="#pom_8780_hidden #pom_8780_incid_showInline">.</hi>
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               <l><hi rendition="#pom_8780_incid_small-caps">Long</hi> had the cheek, by seeming health o’er<rhyme type="dvpp:rhymeMasculine" label="a">spread</rhyme>,</l>
               <l>Through parent’s breast, delusive pleasure <rhyme type="dvpp:rhymeMasculine" label="a">shed</rhyme>;</l>
               <l>The fevered pulse, the spirit-lacking <rhyme type="dvpp:rhymeMasculine" label="b">eye</rhyme>,</l>
               <l>Had swelled, in that sad breast, the stifled <rhyme type="dvpp:rhymeMasculine" label="b">sigh</rhyme> ;</l>
               <l>By hope and fear her soul alternate <rhyme type="dvpp:rhymeMasculine" label="c">swayed</rhyme>,</l>
               <l>Had lingered in decline the “ village <rhyme type="dvpp:rhymeMasculine" label="c">maid</rhyme>.”</l>
            </lg>
            <lg rhyme="ddee">
               <l><seg ana="dvpp:sdAnaphora">The</seg> wedding-day was fixed the mother <rhyme type="dvpp:rhymeMasculine" label="d">knew</rhyme> ;</l>
               <l><seg ana="dvpp:sdAnaphora">The</seg> secret joy had whispered to a <rhyme type="dvpp:rhymeMasculine" label="d">few</rhyme> ;</l>
               <l>And all the village, all the country <rhyme type="dvpp:rhymeMasculine" label="e">near</rhyme>,</l>
               <l>Had joyed or grieved the whispered tale to <rhyme type="dvpp:rhymeMasculine" label="e">hear</rhyme>.</l>
            </lg>
            <lg rhyme="ffgghhii">
               <l>Consumption crept with silent pace a<rhyme type="dvpp:rhymeMasculine" label="f">main</rhyme>,</l>
               <l>She felt no sickness, and she owned no <rhyme type="dvpp:rhymeMasculine" label="f">pain</rhyme> ;</l>
               <l>Yet listless passed the lately joyous <rhyme type="dvpp:rhymeMasculine" label="g">day</rhyme>,</l>
               <l>And all her roses hastened to de<rhyme type="dvpp:rhymeMasculine" label="g">cay</rhyme>.</l>
               <l>At each successive step become more <rhyme type="dvpp:rhymeMasculine" label="h">bold</rhyme>,</l>
               <l>The spoiler now unveils his deadly <rhyme type="dvpp:rhymeMasculine" label="h">hold</rhyme> ;</l>
               <l>Life’s vitals grasps, till all the boiling <rhyme type="dvpp:rhymeMasculine" label="i">blood</rhyme></l>
               <l>Pours o’er the burning cheek its crimson <rhyme type="dvpp:rhymeMasculine" label="i">flood</rhyme>.</l>
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            <lg rhyme="ffjjkk">
               <l>I met her noon-day steps along the <rhyme label="f" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">plain</rhyme>,</l>
               <l>She moved with heaviness, and breathed with <rhyme label="f" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">pain</rhyme> ;</l>
               <l>And ever and anon, with “ blade of <rhyme type="dvpp:rhymeMasculine" label="j">knife</rhyme>,”</l>
               <l>Upturned the grassy sod in quest of <rhyme type="dvpp:rhymeMasculine" label="j">life</rhyme>,</l>
               <l>Inhaled the fresh’ning influence with <rhyme type="dvpp:rhymeMasculine" label="k">care</rhyme>,</l>
               <l>Nor of the passing stranger seemed a<rhyme type="dvpp:rhymeMasculine" label="k">ware</rhyme>.</l>
            </lg>
            <lg rhyme="ggllee">
               <l>There needs no more the features to pour<rhyme label="g" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">tray</rhyme></l>
               <l>Of youth and beauty hastening to de<rhyme label="g" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">cay</rhyme> ;</l>
               <l>A parent’s grief suppressed, a lover’s <rhyme type="dvpp:rhymeMasculine" label="l">wail</rhyme>,</l>
               <l>Sum up the burden of my mournful <rhyme type="dvpp:rhymeMasculine" label="l">tale</rhyme> ;</l>
               <l>Whilst Recollection, o’er the passing <rhyme label="e" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">bier</rhyme>,</l>
               <l>In silence stoops again, and drops a <rhyme label="e" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">tear</rhyme>.</l>
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            <lg rhyme="mmbbddnn">
               <l>The hour is twelve—but few, and far be<rhyme type="dvpp:rhymeMasculine" label="m">tween</rhyme>,</l>
               <l>Th’ invited mourners slowly gather <rhyme type="dvpp:rhymeHalf" label="m">in</rhyme>,—</l>
               <l>Await the “ Service” with attentive <rhyme label="b" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">eye</rhyme>,</l>
               <l>And prove their sympathy by many a <rhyme label="b" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">sigh</rhyme>.</l>
               <l>Now Elder Jonathan, with bonnet <rhyme label="d" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">blue</rhyme>,</l>
               <l>Veils his devotion meekly from the <rhyme label="d" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">view</rhyme>—</l>
               <l>In accents slow—lugubrious—loud—and <rhyme type="dvpp:rhymeMasculine" label="n">long</rhyme>,</l>
               <l>Pours the discursive fervours of his <rhyme type="dvpp:rhymeMasculine" label="n">song</rhyme>.</l>
            </lg>
            <lg rhyme="ooppddqq">
               <l>This mournful prelude past, the circling <rhyme type="dvpp:rhymeMasculine" label="o">glass</rhyme>,</l>
               <l>Short-bread and bun, in quick succession <rhyme type="dvpp:rhymeMasculine" label="o">pass</rhyme> ;</l>
               <l>A while in pairs, with whispering tone, they <rhyme type="dvpp:rhymeMasculine" label="p">tell</rhyme></l>
               <l>How harvests ripen, and how cattle <rhyme type="dvpp:rhymeMasculine" label="p">sell</rhyme> ;</l>
               <l>What accidents last market evening <rhyme label="d" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">knew</rhyme>,</l>
               <l>How “ Sutor John” was beaten black and <rhyme label="d" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">blue</rhyme>,—</l>
               <l>Till all its power resumed, the loosened <rhyme type="dvpp:rhymeMasculine" label="q">tongue</rhyme></l>
               <l>With rustic jest and merriment is <rhyme type="dvpp:rhymeMasculine" label="q">hung</rhyme>.</l>
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            <lg rhyme="ggeeaa">
               <l>“ They <emph>lift</emph>”—the bed resigns its coffined <rhyme label="g" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">clay</rhyme>,</l>
               <l>Which, in slow moving march, is borne a<rhyme label="g" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">way</rhyme> ;</l>
               <l>And now, with bending step, and starting <rhyme label="e" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">tear</rhyme>,</l>
               <l>The father takes his station at the <rhyme label="e" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">bier</rhyme>—</l>
               <l><emph>Once</emph> more supports his daughter’s drooping <rhyme label="a" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">head</rhyme>,</l>
               <l>And lowers it gently to its narrow <rhyme label="a" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">bed</rhyme>.</l>
            </lg>
            <pb/>
            <lg rhyme="rrhhss">
               <l>The closing grave resumes its promised <rhyme type="dvpp:rhymeMasculine" label="r">trust</rhyme>,</l>
               <l>And all a parent’s hope returns to <rhyme type="dvpp:rhymeMasculine" label="r">dust</rhyme>,</l>
               <l>Meanwhile the village dames in crowds re<rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">pair</rhyme>,</l>
               <l>The female grief’and female <emph>pint</emph> to <rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">share</rhyme>—</l>
               <l>O’er Jenny’s fate sad lamentations <rhyme type="dvpp:rhymeMasculine" label="s">raise</rhyme>,</l>
               <l>And <emph>fuddle</emph> all their senses <emph>in her <rhyme type="dvpp:rhymeMasculine" label="s">praise</rhyme></emph>.</l>
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