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            <title>De Quincey’s Revenge. A Ballad in Three Fittes</title>
            
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               <persName>
                  <forename>David Macbeth</forename>
                  <surname>Moir</surname>
                  <name type="displayName">Moir, David Macbeth (pseudonym <q>Delta,</q> ∆)</name>
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               <persName type="pseudo">Delta</persName>
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          Metadata research and editing
          <date notAfter="2023-08-14"/>
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                  <surname>Fralick</surname>
                  <forename>Kaitlyn</forename>
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            <publisher>University of Victoria Digital Victorian Periodical Poetry Project</publisher>
            <pubPlace>Victoria, BC, Canada</pubPlace>
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            <note>Author attribution: Delta is the pseudonym for David Macbeth Moir. (AC)</note>
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               <title level="j">Blackwood’s Edinburgh Magazine</title>
               <biblScope unit="volume">48</biblScope>
               <biblScope unit="issue">301</biblScope>
               <biblScope unit="page" from="578" to="586">578–586</biblScope>
               <date when="1840-11"/>
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                     <incipit>De Quincey, lord of Travernent,</incipit>
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            <head>De Quincey’s Revenge<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi>
            </head>
            <head>A Ballad in Three Fittes<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi>
            </head>
            <byline>By <persName>Delta</persName>
               <hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi>
            </byline>
            <cb/>
            <lg>
               <lg rhyme="-a-abcbcdede">
                  <head>I<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l><hi rendition="#pom_11310_incid_small-caps">De Quincey</hi>, lord of Travernent,</l>
                  <l>Has from the Syrian wars re<rhyme type="dvpp:rhymeMasculine" label="a">turn’d</rhyme> ;</l>
                  <l>As near’d his train to his own demesne,</l>
                  <l>His heart within him <rhyme type="dvpp:rhymeMasculine" label="a">burn’d</rhyme>.</l>
                  <l>Yet heavy was that heart, I <rhyme type="dvpp:rhymeMasculine" label="b">ween</rhyme> ;</l>
                  <l>A cloud had o’er him <rhyme type="dvpp:rhymeMasculine" label="c">pass’d</rhyme> ;</l>
                  <l>And all of life, that once was <rhyme type="dvpp:rhymeMasculine" label="b">green</rhyme>,</l>
                  <l>Had wither’d in the <rhyme type="dvpp:rhymeHalf" label="c">blast</rhyme>.</l>
                  <l>Say, had he sheath’d his trusty <rhyme type="dvpp:rhymeMasculine" label="d">brand</rhyme>,</l>
                  <l>Intent no more to <rhyme type="dvpp:rhymeMasculine" label="e">roam</rhyme>,</l>
                  <l>Only to find the Scottish <rhyme type="dvpp:rhymeMasculine" label="d">strand</rhyme></l>
                  <l>For him no fitting <rhyme type="dvpp:rhymeMasculine" label="e">home</rhyme>,*</l>
               </lg>
               <lg rhyme="-f-f-g-ghihi">
                  <head>II<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>Who stands at hush of eventide</l>
                  <l>Before Newbottle’s sacred <rhyme type="dvpp:rhymeMasculine" label="f">walls</rhyme>,</l>
                  <l>While eastward far, in arch and aisle,</l>
                  <l>Its mighty shadow <rhyme type="dvpp:rhymeMasculine" label="f">falls</rhyme> ?</l>
                  <l rendition="#pom_11310_incid_line-break">That steel-clad knight stood at the <lb/>porch,</l>
                  <l>And loud he knock’d, and <rhyme type="dvpp:rhymeMasculine" label="g">long</rhyme>,</l>
                  <l>Till out from the chancel came a Frere,</l>
                  <l>For it was even-<rhyme type="dvpp:rhymeMasculine" label="g">song</rhyme>.</l>
                  <l>To an alder stump his steed was <rhyme type="dvpp:rhymeMasculine" label="h">tied</rhyme>,</l>
                  <l>And the live wind from the <rhyme type="dvpp:rhymeMasculine" label="i">west</rhyme></l>
                  <l>Stirr’d the blue scarf on his corslet <rhyme type="dvpp:rhymeMasculine" label="h">side</rhyme>,</l>
                  <l>And the raven plumes of his <rhyme type="dvpp:rhymeMasculine" label="i">crest</rhyme>.</l>
               </lg>
               <lg rhyme="-j-j-k-k-i-i">
                  <head>III<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l rendition="#pom_11310_incid_line-break-2">“ Why knock’st thou here ? no hostel <lb/>this,</l>
                  <l>And we have mass to <rhyme type="dvpp:rhymeMasculine" label="j">say</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-2">Know’st thou, that rises our vesper <lb/>hymn</l>
                  <l>Duly at close of <rhyme type="dvpp:rhymeMasculine" label="j">day</rhyme> ?</l>
                  <l>And in the chantry, even now,</l>
                  <l>The choristers are <rhyme type="dvpp:rhymeMasculine" label="k">met</rhyme> ;</l>
                  <l>For lo ! o’er Pentland’s summits blue,</l>
                  <l>The western sun hath <rhyme type="dvpp:rhymeMasculine" label="k">set</rhyme> ?</l>
                  <l>But if thou return’st at morning tide,</l>
                  <l>Whatever be thy be<rhyme label="i" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">hest</rhyme> ”—</l>
                  <l>“ Nay,” said the stranger hastily,</l>
                  <l>“ Delay not my re<rhyme label="i" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">quest</rhyme>.</l>
               </lg>
               <lg rhyme="-l-l-m-m-n-n">
                  <head>IV<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>“ For I have come from foreign lands,</l>
                  <l>And seen the sun of <rhyme type="dvpp:rhymeMasculine" label="l">June</rhyme></l>
                  <l>Set over the holy Jerusalem,</l>
                  <l><seg ana="dvpp:sdAnaphora">And</seg> its towers beneath the <rhyme type="dvpp:rhymeMasculine" label="l">moon</rhyme> ;</l>
                  <l><seg ana="dvpp:sdAnaphora">And</seg> I have stood by the sepulchre</l>
                  <l>Wherein the Lord was <rhyme type="dvpp:rhymeMasculine" label="m">laid</rhyme>,</l>
                  <l>And drunk of Siloa’s brook, that flows</l>
                  <l>In the cool of its own palm <rhyme type="dvpp:rhymeMasculine" label="m">shade</rhyme>.</l>
                  <cb/>
                  <l>Yea ! I have battled for the Cross,</l>
                  <l>’Tis the symbol on my <rhyme type="dvpp:rhymeMasculine" label="n">mail</rhyme>—</l>
                  <l>But why, with idle words, should I</l>
                  <l>Prolong a bootless <rhyme type="dvpp:rhymeMasculine" label="n">tale</rhyme> ?</l>
               </lg>
               <lg rhyme="-opopb-b-q-q">
                  <head>V<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>“ The Lady Elena—woe to me</l>
                  <l rendition="#pom_11310_incid_line-break-6">Brought the words that tale which <lb/><rhyme type="dvpp:rhymeMasculine" label="o">told</rhyme>—</l>
                  <l>Was yesternight, <seg ana="dvpp:sdEpistrophe">by the red <rhyme type="dvpp:rhymeFeminine" label="p">torchlight</rhyme></seg>,</l>
                  <l>Left alone in your vaults so <rhyme type="dvpp:rhymeMasculine" label="o">cold</rhyme>.</l>
                  <l>’Tis said, last night <seg ana="dvpp:sdEpistrophe">by the red <rhyme type="dvpp:rhymeIdentical" label="p">torchlight</rhyme></seg></l>
                  <l>That a burial here hath <rhyme label="b" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">been</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-4">Now show me, prithee, her tomb, who <lb/>stood</l>
                  <l>My heart and heaven be<rhyme label="b" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">tween</rhyme>.</l>
                  <l>Alas ! Alas ! that a cold damp vault</l>
                  <l>Her resting-place should <rhyme type="dvpp:rhymeMasculine" label="q">be</rhyme>,</l>
                  <l>Who, singing, sate among the flowers</l>
                  <l>When I went o’er the <rhyme type="dvpp:rhymeMasculine" label="q">sea</rhyme>.”</l>
               </lg>
               <lg rhyme="-r-r-s-s-t-t">
                  <head>VI<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l rendition="#pom_11310_incid_line-break-2">“ ’Tis nay, sir knight,” the Frere re-<lb/>plied,</l>
                  <l>“ If thou turn’st thy steed a<rhyme type="dvpp:rhymeMasculine" label="r">gain</rhyme>,</l>
                  <l>And hither return’st at matin prime,</l>
                  <l>Thou shalt not knock in <rhyme type="dvpp:rhymeMasculine" label="r">vain</rhyme>.”</l>
                  <l rendition="#pom_11310_incid_line-break-2">Then ire flash’d o’er that warrior’s <lb/>brow,</l>
                  <l>Like storm-clouds o’er the <rhyme type="dvpp:rhymeMasculine" label="s">sky</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-2">And, stamping, he struck his gauntlet <lb/>glove</l>
                  <l>On the falchion by his <rhyme type="dvpp:rhymeMasculine" label="s">thigh</rhyme>.</l>
                  <l>“ Now, by our lady’s holy name,</l>
                  <l>And by the good St <rhyme type="dvpp:rhymeMasculine" label="t">John</rhyme>,</l>
                  <l>I must gaze on the features of the dead,</l>
                  <l rendition="#pom_11310_incid_line-break-7">Though I shew my path through <lb/><rhyme type="dvpp:rhymeHalf" label="t">stone</rhyme>.”</l>
               </lg>
               <lg rhyme="-q-q-u-u-m-m">
                  <head>VII<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>The Frere hath lighted his waxen torch,</l>
                  <l>And turn’d the grating <rhyme label="q" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">key</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-3">Down winding steps, through gloomy <lb/>aisles,</l>
                  <l>The damp, dull way show’d <rhyme label="q" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">he</rhyme> ;</l>
                  <l>And ever he stood and cross’d himself,</l>
                  <l>As the night-wind smote his <rhyme type="dvpp:rhymeMasculine" label="u">ear</rhyme>,</l>
                  <l>For the very carven imageries</l>
                  <l>Spake nought but of death and <rhyme type="dvpp:rhymeMasculine" label="u">fear</rhyme>-</l>
                  <l>And sable ’scutcheons flapp’d on high,</l>
                  <l>’Mid that grim and ghastly <rhyme label="m" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">shade</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-3"><seg ana="dvpp:sdAnaphora">And</seg> coffins were ranged on tressels <lb/>round,</l>
                  <l><seg ana="dvpp:sdAnaphora">And</seg> banners lowly <rhyme label="m" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">laid</rhyme>.</l>
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               <cb/>
               <milestone type="line" unit="transition" rendition="#pom_11310_hidden #pom_11310_incid_showBlock"/>
               <note rendition="#pom_11310_incid_word-spacing">* Robert de Quincey, a Northamptonshire baron, acquired the manor of
                     Travernent,<lb/>(<emph>vulgo</emph>, Tranent,) which, in the reign of David the First, had been held by Swan, the<lb/>son of
                  Thor, soon after the accession of William the Lion ; and he served for some<lb/>time as justiciary to that monarch. At the end of
                  the twelfth century he was suc-<lb/>ceeded in his immense estates by his son, Seyer de Quincey, the hero of the
                  following<lb/>ballad, who set out for Palestine in 1218, where he died in the year following.</note>
               <pb/>
               <cb/>
               <lg rhyme="-v-v-w-w-x-x">
                  <head>VIII<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>From aisle to aisle they pass’d the while,</l>
                  <l>In silence both—the one in <rhyme type="dvpp:rhymeMasculine" label="v">dread</rhyme>—</l>
                  <l>So solemn a thing it was to be</l>
                  <l>With darkness and the <rhyme type="dvpp:rhymeMasculine" label="v">dead</rhyme> !</l>
                  <l rendition="#pom_11310_incid_line-break">At length the innermost vault they <lb/>gain’d,</l>
                  <l rendition="#pom_11310_indent-2">Last home of a house of <rhyme type="dvpp:rhymeMasculine" label="w">fame</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-8">And the Knight, looking up with <lb/>earnest eye,</l>
                  <l>Read the legend round the <rhyme type="dvpp:rhymeMasculine" label="w">name</rhyme>—</l>
                  <l>“ <emph>Unsullied aye our honours beam</emph>,”</l>
                  <l rendition="#pom_11310_incid_line-break-8">’Neath fleur-de-lis and crescent <lb/><rhyme type="dvpp:rhymeMasculine" label="x">shone</rhyme> ;</l>
                  <l>And o’er the Dragon spouting fire,</l>
                  <l>The battle-word “ Set <rhyme type="dvpp:rhymeHalf" label="x">on</rhyme> !”*</l>
               </lg>
               <lg rhyme="-q-qyzyza1b1a1b1">
                  <head>IX<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l rendition="#pom_11310_incid_line-break-2">“ Yes ! here, good Frere—now, haste <lb/>thee, ope”—</l>
                  <l>The holy man turn’d the <rhyme label="q" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">key</rhyme> ;</l>
                  <l>And ere ever he had an “ Ave” said,</l>
                  <l>The Knight was on his <rhyme label="q" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">knee</rhyme>.</l>
                  <l rendition="#pom_11310_incid_line-break-2">He lifted the lawn from her waxen <lb/><rhyme type="dvpp:rhymeMasculine" label="y">face</rhyme>,</l>
                  <l>And put back the satin <rhyme type="dvpp:rhymeMasculine" label="z">soft</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-2">Fled from her cheek was the glowing <lb/><rhyme type="dvpp:rhymeMasculine" label="y">grace</rhyme></l>
                  <l>That had thrill’d his heart so <rhyme type="dvpp:rhymeMasculine" label="z">oft</rhyme> !</l>
                  <l>The past came o’er him like a <rhyme type="dvpp:rhymeMasculine" label="a1">spell</rhyme>,</l>
                  <l>For earth could now no bliss af<rhyme type="dvpp:rhymeMasculine" label="b1">ford</rhyme>,</l>
                  <l>And thus, within that cheerless <rhyme type="dvpp:rhymeMasculine" label="a1">cell</rhyme>,</l>
                  <l>His bitter plaint he <rhyme type="dvpp:rhymeMasculine" label="b1">pour’d</rhyme>.</l>
               </lg>
               <cb/>
               <lg rhyme="-q-qhc1hc1-d1-d1">
                  <head>X<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>“ Oh, Elena ! I little dreamt,</l>
                  <l>When I sailed o’er the <rhyme label="q" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">sea</rhyme>,</l>
                  <l>That, coming back, our meeting next</l>
                  <l>In a charnel-vault should <rhyme type="dvpp:rhymeMasculine" label="q">be</rhyme> !</l>
                  <l>I left thee in thy virgin <rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">pride</rhyme>,</l>
                  <l>A living flower of beauty <rhyme type="dvpp:rhymeMasculine" label="c1">rare</rhyme>,</l>
                  <l>And now I see thee at my <rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">side</rhyme></l>
                  <l>What words may not dec<rhyme type="dvpp:rhymeMasculine" label="c1">lare</rhyme> !</l>
                  <l>Oh ! I have met thee on the waves,</l>
                  <l>On the field have braved thee, <rhyme type="dvpp:rhymeMasculine" label="d1">Death</rhyme>,</l>
                  <l>But ne’er before so sank my heart</l>
                  <l>Thy withering scowl be<rhyme type="dvpp:rhymeEye" label="d1">neath</rhyme> !</l>
               </lg>
               <lg rhyme="e1f1-f1e1h-he1g1-g1">
                  <head>XI<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>“ How different was the time, <rhyme type="dvpp:rhymeFeminine" label="e1">alas</rhyme> !</l>
                  <l>When, in the sunny noon of <rhyme type="dvpp:rhymeMasculine" label="f1">love</rhyme>,</l>
                  <l>I trysted with thee in the stag coppice,</l>
                  <l>In the centre of the <rhyme type="dvpp:rhymeEye" label="f1">grove</rhyme> !</l>
                  <l>How different was the time, <rhyme type="dvpp:rhymeIdentical" label="e1">alas</rhyme> !</l>
                  <l rendition="#pom_11310_incid_line-break-9">When, from the tower of high Fal-<lb/><rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">syde</rhyme>,†</l>
                  <l>We mark’d along the Bay of Forth</l>
                  <l>The streamer’d galleys <rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">glide</rhyme> !</l>
                  <l>How different was the time, <rhyme type="dvpp:rhymeIdentical" label="e1">alas</rhyme> !</l>
                  <l>When the gay gold ring I <rhyme type="dvpp:rhymeMasculine" label="g1">gave</rhyme>,</l>
                  <l>And thou didst say, when far away,</l>
                  <l rendition="#pom_11310_indent-2">I will bear it in my <rhyme type="dvpp:rhymeMasculine" label="g1">grave</rhyme> !”</l>
               </lg>
               <lg rhyme="ohoh-h1-h1-b1-b1">
                  <head>XII<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>The Knight turn’d back the satin <rhyme label="o" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">fold</rhyme></l>
                  <l>Where her hand lay by her <rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">side</rhyme>,</l>
                  <l>And there, on her slender finger <rhyme label="o" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">cold</rhyme>,</l>
                  <l>He the token ring e<rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">spied</rhyme> !</l>
                  <cb/>
                  <milestone type="line" unit="transition" rendition="#pom_11310_hidden #pom_11310_incid_showBlock"/>
                  <note>
                     <p>* “ <foreign xml:lang="la">Intaminatis fulget honoribus</foreign>,” was the proud motto of the Seton family.</p>
                     <p rendition="#pom_11310_incid_word-spacing">The original Seton arms were three crescents with a double tressure, flowered
                        and<lb/>counterflowered with fleurs-de-lis. A sword supporting a royal crown was afterwards<lb/>given by Robert the Bruce, for
                        the bravery and loyalty of the family during the suc-<lb/>cession wars. At a later period, three garbs azure were quartered
                        with the Seton<lb/>arms, by George the second lord of that name.</p>
                     <cit rendition="#pom_11310_indent">
                        <quote>“ This lord George,” saith old Sir Thomas Maitland, “ tuk the armes of Buchan,<lb/>quhilk ar thrè cumming schevis,
                           quarterlie wyth his awin armes, allegeand himself to<lb/>be air of the said erldome, be ressoun of his
                                 gudedame.”<ref>—<emph>Chronicle of the Hous of<lb/>Seytoun</emph>, p. 37.</ref></quote>
                     </cit>
                     <p>The crest was a green dragon spouting fire surmounting a ducal coronet, with the<lb/>words over it, “ <emph>Set
                        On</emph>.” The supporters were two foxes collared and chained.</p>
                  </note>
                  <note>
                     <p>† Sir Robert Sibbald, in his History of Fife, quotes a charter by the Earl of Win-<lb/>chester to Adame de Seton, 1246, “
                           <foreign xml:lang="la">De Maritagio herædis Alani de Fawside</foreign>,” from<lb/>which, as well as from some incidental
                        passages in Maitland’s <title level="a"> <emph>History of the Hous<lb/>of Seytoun</emph>,</title> it is evident that Falside Castle was a heritage of
                        the younger<lb/>branches of the Seton family. It was first acquired by them from intermarriage with<lb/>the De Quinceys. </p>
                     <p>The date of Falsyde Castle is uncertain. It was burned by the English under the<lb/>Duke of Somerset, 1547, the day following
                        the fatal battle of Pinkie. The strength<lb/>of the mason-work, however—the tower being arched at the top of the building,
                        as<lb/>well as at the first story—prevented its entire demolition. Paton, in his “ <emph>Diary</emph>,” <lb/>gives a very cool
                        description of the burning to death of its little garrison, and calls it<lb/>“ a sorry-looking castle.” In 1618, the family of
                        Fawside of that Ilk appear to have<lb/>removed to a more modern mansion in the immediate vicinity, which has the
                        initials<lb/>J. F., J. L., above one of its windows. The dovecot of the ancient fortalice still<lb/>remains ; and within it is
                        a curious place of concealment, secured by an antique<lb/>grated door. There is a similar hole of secrecy in the staircase of
                        the oldest part<lb/>of the castle. </p>
                     <p>It is now the property of Sir George Grant Suttie of Prestongrange and Balgone,<lb/>having descended to him through his
                        maternal ancestors the Setons, Earls of Hyndford.</p>
                  </note>
                  <pb/>
                  <cb/>
                  <l>“ Now know I thou wert true to me,</l>
                  <l>Ah ! false thou couldst not <rhyme type="dvpp:rhymeMasculine" label="h1">prove</rhyme> ;</l>
                  <l>Vain was the hate that strove to mate</l>
                  <l>Thy heart with a stranger <rhyme type="dvpp:rhymeEye" label="h1">love</rhyme>.”</l>
                  <l><seg ana="dvpp:sdAnaphora">And then he kiss’d</seg> her clay-cold cheek,</l>
                  <l><seg ana="dvpp:sdAnaphora">And then he kiss’d</seg> his <rhyme label="b1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">sword</rhyme>—</l>
                  <l rendition="#pom_11310_incid_line-break-2">“ By this,” he said, “ sweet, injured <lb/>maid,</l>
                  <l>Thy doom shall be de<rhyme label="b1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">plored</rhyme> !</l>
               </lg>
               <lg rhyme="-j-j-q-q-i1-i1">
                  <head>XIII<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>“ Yes ! darkly some shall make remead,</l>
                  <l>And dearly some shall <rhyme label="j" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">pay</rhyme></l>
                  <l>For griefs, that broke thy faithful heart,</l>
                  <l>When I was far a<rhyme label="j" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">way</rhyme> !”</l>
                  <l rendition="#pom_11310_incid_line-break-2">“ Nay ! dost thou talk of vengeance <lb/>now,”</l>
                  <l rendition="#pom_11310_incid_line-break-9">Quod the Frere, “ on thy bended <lb/><rhyme label="q" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">knee</rhyme> ?”</l>
                  <l rendition="#pom_11310_incid_line-break-2">The Knight look’d wildly up in his <lb/>face,</l>
                  <l>But never a word spake <rhyme label="q" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">he</rhyme>.</l>
                  <l rendition="#pom_11310_incid_line-break-2">“ Now rise, now rise, Sir Knight !" he <lb/>cried,</l>
                  <l>“ Mary Mother calm thy <rhyme type="dvpp:rhymeMasculine" label="i1">mind</rhyme> !</l>
                  <l rendition="#pom_11310_incid_line-break-2">’Twas the fiat of Heaven that she <lb/>should die,</l>
                  <l>To its will be thou re<rhyme type="dvpp:rhymeMasculine" label="i1">sign’d</rhyme> !”</l>
               </lg>
               <lg rhyme="-u-u-i-i-h-h">
                  <head>XIV<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>Uprose De Quincey from his knee</l>
                  <l>In that darksome aisle and <rhyme label="u" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">drear</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-2">No word he spake, but, with hasty <lb/>glove,</l>
                  <l>Brush’d off one starting <rhyme label="u" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">tear</rhyme> ;</l>
                  <l>Then, as he donn’d his helm, he pluck’d</l>
                  <l>The silken scarf from its <rhyme label="i" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">crest</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-2">And upraised it first to his meeting <lb/>lip,</l>
                  <l>Then hid it within his <rhyme label="i" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">breast</rhyme>.</l>
                  <cb/>
                  <l rendition="#pom_11310_incid_line-break-2">The scenes—the thoughts of other <lb/>years</l>
                  <l>Pour’d o’er him like a lava <rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">tide</rhyme> ;</l>
                  <l>Her day was done, and set her sun,</l>
                  <l>And all for him was night be<rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">side</rhyme> !</l>
               </lg>
               <lg rhyme="-j1-j1-v-v-k1-k1">
                  <head>XV<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>The coffin lid was closed ; the Frere</l>
                  <l>Preceded, with his taper <rhyme type="dvpp:rhymeMasculine" label="j1">wan</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-3">Behind him strode the black-mail’d <lb/>Knight,</l>
                  <l>A melancholy <rhyme type="dvpp:rhymeMasculine" label="j1">man</rhyme> !</l>
                  <l>And oft the Monk, as he upwards clomb</l>
                  <l>From the darksome place of <rhyme label="v" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">dread</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-2">Where the coffin’d clay of fair Elena <lb/>lay,</l>
                  <l>Did backwards turn his <rhyme label="v" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">head</rhyme>—</l>
                  <l>Say, holy Frere, can the waves of fear</l>
                  <l>O’er thy calm, pure spirit <rhyme type="dvpp:rhymeMasculine" label="k1">flow</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-2">Or is it the cold, through these vaults <lb/>of mould,</l>
                  <l>That makes thee tremble <rhyme type="dvpp:rhymeMasculine" label="k1">so</rhyme> ?</l>
               </lg>
               <lg rhyme="-l1-l1m1n1m1n1-k1l1k1">
                  <head>XVI<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l rendition="#pom_11310_incid_line-break-2"><seg ana="dvpp:sdAnaphora">The</seg> porch they gain’d—the Frere he <lb/>closed</l>
                  <l><seg ana="dvpp:sdAnaphora">The</seg> gates behind the <rhyme type="dvpp:rhymeMasculine" label="l1">Knight</rhyme>,</l>
                  <l>Dim lay the clouds, like giant shrouds,</l>
                  <l>Over the red star<rhyme type="dvpp:rhymeMasculine" label="l1">light</rhyme> ;</l>
                  <l>And ever, with low, moaning <rhyme type="dvpp:rhymeMasculine" label="m1">sound</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-8">The soft warm gust wail’d through <lb/>the <rhyme type="dvpp:rhymeMasculine" label="n1">trees</rhyme> ;</l>
                  <l>Calm, in slumber bound, lay all a<rhyme type="dvpp:rhymeMasculine" label="m1">round</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-8">And the Stream sang “ Hush !” to <lb/>the <rhyme type="dvpp:rhymeMasculine" label="n1">Breeze</rhyme>.</l>
                  <l>The Frere put out his torch, and look’d</l>
                  <l>His high-barr’d lattice <rhyme label="k1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">fro’</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break">And he saw, ’mid the dusk, the <lb/>mounted <rhyme type="dvpp:rhymeMasculine" label="l1">Knight</rhyme></l>
                  <l>Down the winding valley <rhyme label="k1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">go</rhyme>.</l>
               </lg>
               <cb/>
            </lg>
            <lg>
               <head rendition="#pom_11310_incid_head-lg-2">Fitte Second<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi>
               </head>
               <cb/>
               <lg rhyme="-j-j-o1-o1-p1-p1">
                  <head>I<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l rendition="#pom_11310_incid_line-break-3">’Twas the flush of dawn ; on the dewy <lb/>lawn</l>
                  <l>Shone out the purpling <rhyme type="dvpp:rhymeMasculine" label="j">day</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-2"><seg ana="dvpp:sdAnaphora">The</seg> lark on high sang down from the <lb/>sky,</l>
                  <l><seg ana="dvpp:sdAnaphora">The</seg> thrush from the chestnut <rhyme type="dvpp:rhymeMasculine" label="j">spray</rhyme> ;</l>
                  <l>On the lakelet blue, the water-coot</l>
                  <l>Oar’d forth with her sable <rhyme type="dvpp:rhymeMasculine" label="o1">young</rhyme> ;</l>
                  <cb/>
                  <l rendition="#pom_11310_incid_line-break-2">While at its edge, from reed and <lb/>sedge,</l>
                  <l>The fisher-hern up<rhyme type="dvpp:rhymeMasculine" label="o1">sprung</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-2">In peaceful pride, by Esk’s green <lb/>side,</l>
                  <l rendition="#pom_11310_incid_line-break-8">The shy deer stray’d through Ros-<lb/>lin <rhyme type="dvpp:rhymeMasculine" label="p1">glen</rhyme> ;</l>
                  <l>And the hill-fox to the Roman Camp*</l>
                  <l>Stole up from Hawthorn<rhyme type="dvpp:rhymeMasculine" label="p1">den</rhyme>.†</l>
               </lg>
               <cb/>
               <milestone type="line" unit="transition" rendition="#pom_11310_hidden #pom_11310_incid_showBlock"/>
               <note rendition="#pom_11310_incid_word-spacing">* The parish of Newbottle rises from its extremities—Fordel House and
                  Newbyres<lb/>Tower—till it terminates in a ridge of considerable extent, termed the Roman Camp,<lb/>the elevation of which is 680
                  feet. The neighbourhood abounding in hares, the Ro-<lb/>man Camp is a favourite meeting-place of the Mid-Lothian Coursing
                  Club. From<lb/>antlers found in the neighbourhood, and even at Inveresk, no doubt can exist, that,<lb/>at the era of our ballad, the
                  hart and hind were visitants of at least the Morth-thwaite<lb/>hills.</note>
               <note xml:id="pom_11310_broken_note_1_1" next="#pom_11310_broken_note_1_2" rendition="#pom_11310_incid_word-spacing">† The building of
                  Roslin Castle is anterior to the dawn of authentic record. <cit>
                     <quote>“ Its<lb/>origin,” <bibl>says Chalmers, (<title level="m">Caledonia</title>, vol. ii. p. 571,)</bibl> is laid in
                        fable.”</quote>
                  </cit> According to<lb/>Adam de Cardonnel, <emph>(Picturesque Antiquities,)</emph> William de Sancto Claro, son of<lb/>Waldernus
                  Compte de St Clare, who came to England with William the Conqueror,<lb/>obtained from King Malcolm Canmore a grant of the lands and
                  barony of Roslin.</note>
               <pb/>
               <cb/>
               <lg rhyme="-j-j-q1-q1-h-h">
                  <head>II<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l rendition="#pom_11310_incid_line-break-2">Where hurries so fast the hench-<lb/>man ?</l>
                  <l>His steed seems froth’d with <rhyme label="j" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">spray</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-2">To Newbottle’s shrine, ’mid the dawn-<lb/>ing lone,</l>
                  <l>He speeds his onward <rhyme label="j" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">way</rhyme>.</l>
                  <l>From grey Caerbarrin’s walls he came,*</l>
                  <l rendition="#pom_11310_incid_line-break-9">By Smeaton Shaw, through Colden <lb/><rhyme type="dvpp:rhymeMasculine" label="q1">Wood</rhyme>,</l>
                  <l>And up thy royal way, Derstrette,†</l>
                  <l>His path he hath pur<rhyme type="dvpp:rhymeHalf" label="q1">sued</rhyme>—</l>
                  <l>Until, upon its flowery lawn,</l>
                  <l rendition="#pom_11310_incid_line-break-9">By murmuring Esk’s enamour’d <lb/><rhyme type="dvpp:rhymeMasculine" label="h">side</rhyme>,</l>
                  <l>The Abbey’s grand and massive walls,</l>
                  <l>Were ’mid its groves e<rhyme type="dvpp:rhymeMasculine" label="h">spied</rhyme>.‡</l>
               </lg>
               <lg rhyme="-q-q-r1-r1-b-b">
                  <head>III<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>“ Awake,” he cries, as loudly he knocks,</l>
                  <l>“ Ho ! arise, and haste with <rhyme type="dvpp:rhymeMasculine" label="q">me</rhyme> ;</l>
                  <cb/>
                  <l>For soon, alas, Caerbarrin’s lord</l>
                  <l>Among the dead must <rhyme type="dvpp:rhymeMasculine" label="q">be</rhyme> ! ”</l>
                  <l>Then forth outspake the abbot grey</l>
                  <l>From his couch, as he a<rhyme type="dvpp:rhymeMasculine" label="r1">rose</rhyme>,</l>
                  <l>“ Alack ! thou bring’st us evil news,</l>
                  <l>For thy lord he was of <rhyme type="dvpp:rhymeMasculine" label="r1">those</rhyme></l>
                  <l rendition="#pom_11310_incid_line-break-2">Who dower’d our church with goodly <lb/>lands,</l>
                  <l>And his sword hath ever <rhyme type="dvpp:rhymeMasculine" label="b">been</rhyme>,</l>
                  <l>For Scotland’s glory and for ours,</l>
                  <l>At the call, unsheath’d and <rhyme type="dvpp:rhymeMasculine" label="b">keen</rhyme>.</l>
               </lg>
               <lg rhyme="-y-y-s1-s1i-i-">
                  <head>IV<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>“ But the best are aye the first to die,</l>
                  <l>This sinful earth is not their <rhyme type="dvpp:rhymeMasculine" label="y">place</rhyme> ;</l>
                  <l>Sure is the passage of the good—</l>
                  <l>Mary Mother yield them <rhyme type="dvpp:rhymeMasculine" label="y">grace</rhyme> !</l>
                  <l>Then rest thee in our porter’s keep,</l>
                  <l>While our brother Francis will <choice>
                        <sic>re<rhyme type="dvpp:rhymeMasculine" label="s1">pa</rhyme></sic>
                        <corr resp="dvpp:prs_ed_kaf">re<rhyme type="dvpp:rhymeMasculine" label="s1">pair</rhyme></corr>
                     </choice></l>
                  <!--KAF: text appears to be cut off-->
                  <l>To the house of woe, and soothe the <choice>
                        <sic>sou</sic>
                        <corr resp="dvpp:prs_ed_kaf">soul</corr>
                     </choice></l>
                  <l>Of the dying man with <rhyme type="dvpp:rhymeMasculine" label="s1">prayer</rhyme> !”</l>
                  <cb/>
                  <milestone type="line" unit="transition" rendition="#pom_11310_hidden #pom_11310_incid_showBlock"/>
                  <note xml:id="pom_11310_broken_note_1_2" prev="#pom_11310_broken_note_1_1" rendition="#pom_11310_incid_word-spacing"> Hawthornden
                     and Roslin are associated with many bright names in literature—Drum-<lb/>mond, Ben Jonson, Ramsay, Macneil, Scott, Wilson, and
                     Wordsworth. </note>
                  <note>
                     <p>* Chalmers traces back the name “ <emph>Caerbairin</emph>,”’ to the time of the ancient Bri-<lb/>tons, and instances the
                        modern one “ <emph>Carberry</emph>,” to show how English adjuncts have<lb/>been engrafted on British roots.</p>
                     <p>Every reader of Scottish history will remember that it was on the rising ground<lb/>above the fortalice of Carberry, that Mary
                        and Bothwell awaited the approach of the<lb/>confederate lords ; and that there they were parted, never to meet again. </p>
                  </note>
                  <note>† During the Scoto-Saxon period, the king’s highways are often mentioned in char-<lb/>tularies, as local boundaries. In that
                     of Newbottle we find reference made to a <lb/>
                     <foreign xml:lang="it">regia via</foreign>, leading from the village of Ford to the Abbey, in a charter of Hugh Riddel,<lb/>in
                     the time of Alexander III., (chart, 22.) The king’s highway from the same Abbey<lb/>to Edinburgh in 1252, is also there
                     mentioned, (16 ;) and Gervaise, the abbot, in his<lb/>charter, (<hi rendition="#pom_11310_incid_italic">Ib</hi>. 163,) alludes to
                     a certain road called <emph>Derstrette</emph>, near Colden, in the<lb/>district of Inveresk. Near the same locality there is now
                     a place called <emph>D’Arcy</emph>,<lb/>which I have little doubt is a corruption of the ancient appellation.</note>
                  <note>
                     <p>‡ Newbottle Abbey was beautifully situated on the banks of the South Esk, near-<lb/>ly on the same site as the modern mansion
                        of the Marquis of Lothian, who is a de-<lb/>scendant of the last abbot. It was founded by that “ sore saint for the crown,”
                        King<lb/>David I., in the year 1140. <cit>
                           <quote>“ The monks,” says Bishop Keith, “ were brought from<lb/>Melrose, together with their abbot, Radulphus. Patrick
                              Madort, a learned divine,<lb/>who is mentioned from the year 1462 until 1470, recovered a great number of original
                              <lb/>writs and charters belonging to this place, which were transcribed into a chartulary,<lb/>which is now in the
                              Advocates’ Library,”</quote>
                           <bibl>—<title level="m" rendition="#pom_11310_incid_italic">Religious Houses</title>, p. 417. <hi rendition="#pom_11310_incid_italic">Ed</hi>. 1824.</bibl>
                        </cit></p>
                     <p>The only relics of antiquity now about the place, are the remains of the stone inclo-<lb/>sure which surrounded the Abbey,
                        still called Monkland Wall—a striking and vener-<lb/>able gateway, surmounted by its time-worn lions ; a solemn line of
                        yew-trees ; and<lb/>a doorway, amid the lawn to the east, said to be the entrance of a subterranean pas-<lb/>sage to the old
                        Abbey.</p>
                     <p>Many of the trees in the park are beautiful and majestic, especially some of the<lb/>planes and elms ; and a beech, in the
                        neigbourhood of the house, measures twenty-two<lb/>feet in circumference, at a yard from the ground. It contains nine hundred
                        cubic feet<lb/>of wood, and its branches cover a circle of thirty-three feet diameter.</p>
                     <p>The remains of monastic architecture now seen at Newbottle, are said to have been<lb/>brought by the late Marquis from the
                        ruins at Mount Teviot. They are beautiful and<lb/>interesting.</p>
                     <p rendition="#pom_11310_incid_word-spacing-2"> We should also state, in referring to the antiquities of the place, that a little
                        below<lb/>the Abbey there is a venerable bridge over the Esk, rudely built, and overspread with<lb/>ivy, which has long
                        survived all accounts of its age and founder.</p>
                     <p rendition="#pom_11310_incid_word-spacing-2">The present parish of Newbottle consists of the ancient parish of Maisterton,
                        and<lb/>the Abbey parish. During the Scoto-Saxon period, the patronage of Maisterton was<lb/>possessed by the lord of the
                        manor. Near the end of the thirteenth century this be-<lb/>longed to Robert de Rossine, knight, whose daughters, Mariot and
                        Ada, resigned it<lb/>to the monks of Newbottle, with two-thirds of their estates.</p>
                  </note>
                  <pb/>
                  <cb/>
                  <l>The henchman sate him down to <rhyme type="dvpp:rhymeMasculine" label="i">rest</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-9">And wiped the toil-drops from his <lb/>brow ;</l>
                  <l rendition="#pom_11310_incid_line-break-2">While in hurry and haste, on shrieving <lb/><rhyme type="dvpp:rhymeMasculine" label="i">quest</rhyme>,</l>
                  <l>The Frere was bourne to ride and go.</l>
               </lg>
               <lg rhyme="-l1-l1-t1-t1-s-s">
                  <head>V<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>Through the green woodlands spurr’d <lb/>the monk—</l>
                  <l>The morning sun was shining <rhyme type="dvpp:rhymeMasculine" label="l1">bright</rhyme>,</l>
                  <l>Upon his bosom lay the Book,*</l>
                  <l>Under his cloak of <rhyme type="dvpp:rhymeMasculine" label="l1">white</rhyme> ;</l>
                  <l>Before him, in the pleasant prime,</l>
                  <l rendition="#pom_11310_incid_line-break-9">The willow’d stream meandering <lb/><rhyme type="dvpp:rhymeMasculine" label="t1">flow’d</rhyme>—</l>
                  <l>From wildflowers by the pathway side,</l>
                  <l>The gallant heathcock <rhyme type="dvpp:rhymeMasculine" label="t1">crow’d</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-2">Glisten’d the dew on the harebells <lb/>blue—</l>
                  <l>And, as the west wind murmur’d <rhyme type="dvpp:rhymeMasculine" label="s">by</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-2">From yellow broom stole forth per-<lb/>fume,</l>
                  <l>As from gardens of Ara<rhyme type="dvpp:rhymeEye" label="s">by</rhyme>.</l>
               </lg>
               <lg rhyme="-b-b-w-w-a1-a1">
                  <head>VI<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l><seg ana="dvpp:sdAnaphora">Now</seg> lay his road by beechen groves—</l>
                  <l><seg ana="dvpp:sdAnaphora">Now</seg> by daised pastures <rhyme label="b" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">green</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-2"><seg ana="dvpp:sdAnaphora dvpp:sdVariant">And now</seg>, from the vista’d mountain <lb/>road,</l>
                  <l>The shores of Fife were <rhyme label="b" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">seen</rhyme> ;—</l>
                  <l rendition="#pom_11310_incid_line-break-2"><seg ana="dvpp:sdAnaphora dvpp:sdVariant">And now</seg> Dalcaeth behind him <lb/>lay ;†</l>
                  <cb/>
                  <l rendition="#pom_11310_incid_line-break-9"><seg ana="dvpp:sdAnaphora dvpp:sdVariant">And now</seg> its castle, whence the <lb/><rhyme type="dvpp:rhymeMasculine" label="w">Græme</rhyme></l>
                  <l>Sent forth his clump of Border spears,</l>
                  <l>The vaunting Gael to <rhyme type="dvpp:rhymeMasculine" label="w">tame</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-2"><seg ana="dvpp:sdAnaphora">Now</seg> by coppice and corn he urged <lb/>his steed</l>
                  <l><seg ana="dvpp:sdAnaphora">Now</seg> by dingle wild and by <rhyme type="dvpp:rhymeMasculine" label="a1">dell</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-2">Where down by Cousland’s limestone <lb/>rocks</l>
                  <l>The living waters <rhyme type="dvpp:rhymeMasculine" label="a1">well</rhyme>.</l>
               </lg>
               <lg rhyme="-o1ro1-r-r-u1-u1">
                  <head>VII<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l rendition="#pom_11310_incid_line-break-2">Then he came to a clump of oak-trees <lb/>hoar,</l>
                  <l>Half over the steep road <rhyme label="o1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">hung</rhyme>,</l>
                  <l>When up at once his bridle <rhyme type="dvpp:rhymeMasculine" label="r">rein</rhyme></l>
                  <l>The arm of a warrior <rhyme label="o1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">sprung</rhyme> ;</l>
                  <l>With sudden jerk, the startled steed</l>
                  <l rendition="#pom_11310_indent-2">Swerved aside with bristling <rhyme type="dvpp:rhymeMasculine" label="r">mane</rhyme> :</l>
                  <l rendition="#pom_11310_incid_line-break-2">“ Now halt thee, Frere, and rest thee <lb/>here,</l>
                  <l>Till I hither return a<rhyme type="dvpp:rhymeMasculine" label="r">gain</rhyme>.</l>
                  <l rendition="#pom_11310_incid_line-break-2">I know thine errand—dismount, dis-<lb/>mount—</l>
                  <l>That errand for thee I’ll <rhyme type="dvpp:rhymeMasculine" label="u1">do</rhyme> ;</l>
                  <l>But, if thou stirrest till I return,</l>
                  <l>Such rashness thou shalt <rhyme type="dvpp:rhymeMasculine" label="u1">rue</rhyme> !</l>
               </lg>
               <lg rhyme="-v1-v1-j-j-r-r">
                  <head>VIII<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>“ Then doff to me thy mantle white,</l>
                  <l><seg ana="dvpp:sdAnaphora">And</seg> eke thy hood of <rhyme type="dvpp:rhymeMasculine" label="v1">black</rhyme> ;‡</l>
                  <l rendition="#pom_11310_incid_line-break-2"><seg ana="dvpp:sdAnaphora">And</seg> crouch thee amid these brakens <lb/>green,</l>
                  <l>To the left, till I come <rhyme type="dvpp:rhymeMasculine" label="v1">back</rhyme>.”</l>
                  <cb/>
                  <milestone type="line" unit="transition" rendition="#pom_11310_hidden #pom_11310_incid_showBlock"/>
                  <note>
                     <p rendition="#pom_11310_incid_note-p-2"> * <cit>
                           <quote><lg rendition="#pom_11310_incid_quote-lg">
                                 <l>“ Much he marvell’d a knight of pride</l>
                                 <l rendition="#pom_11310_indent">Like a book-bosom’d priest should ride.”</l>
                              </lg></quote>
                           <bibl>So says Sir Walter Scott, (<title level="m" rendition="#pom_11310_incid_italic">Lay</title>, canto iii, stanza
                              8,)</bibl>
                        </cit><cit>
                           <bibl> and, in annotation, quotes from<lb/>a MS. Account of Parish of Ewes, apud Macfarlane’s MSS. :—</bibl>
                           <quote>“ At Unthank, two<lb/>miles north-east from the church, (of Ewes,) there are the ruins of a chapel for Divine
                              <lb/>service in time of Popery. There is a tradition that friars were wont to come from<lb/>Melrose or Jedburgh, to
                              baptize and marry in this parish ; and, from being in use to<lb/>carry the mass-book in their bosoms, they were called
                              by the inhabitants “ <emph>Book a-<lb/>bosomes</emph>.”</quote>
                        </cit></p>
                  </note>
                  <note>
                     <p rendition="#pom_11310_incid_word-spacing-3">† <emph>Dalcaeth</emph>, in the Celtic, means the narrow dale.—<foreign xml:lang="fr">Vide</foreign> Richard and Owen’s Dic-<lb/>tionary, <emph>in voce</emph> Caeth. Dalkeith, as a parish, does
                        not appear in the ancient <emph>Taxatio</emph>.<lb/>Indeed, as such, it did not then exist ; but as the manor of Dalkeith, as
                        well as that<lb/>of Abercorn, was granted by David I. to William de Grahame, it is easily to be sup-<lb/>posed, that, being an
                        opulent family, they had a chapel to their court. <cit>
                           <quote>“ No memorial<lb/>remains of the Grahames, unless the fading traditions of the place, and two curious<lb/>but wasted
                              tombstones, which lie within the circuit of the old church. They represent<lb/>knights in chain armour, lying
                              cross-legged upon their monuments, like those ancient<lb/>and curious figures on the tombs in the Temple Church,
                              London.”</quote>
                           <bibl>—<title level="m" rendition="#pom_11310_incid_italic">Provincial Anti-<lb/>quities of Scotland</title>.</bibl>
                        </cit> From <title level="m" rendition="#pom_11310_incid_italic">Robertson’s Index</title>, 40-44 ; and from the <title level="m" rendition="#pom_11310_incid_italic">Douglas Peer-<lb/>age</title>, 489, we find, that in the reign of David II.,
                        John de Grahame of Dalkeith resigned<lb/>the manor, with its pertinents, to William Douglas, the heir of Sir James Douglas
                        of<lb/>Lothian, in marriage with his daughter Margaret. Dalcaeth is first written Dalkeith<lb/>in a charter of Robert the
                        Bruce. It is proper to mention, however, that Froissart,<lb/>who himself visited the Earl of Douglas at his castle of
                        Dalkeith, has tho following pas-<lb/>sage, in mentioning the single combat between the Earl and Sir Henry Percy, at
                        the<lb/>barriers of Newcastle. The former having, by force of arms, won the banner of the<lb/>latter, is thus made to say :—<cit>
                           <quote>“ I shall bear this token of your prowess into Scotland,<lb/>and shall set it high on my castle of Dalkeith,
                              (D’Alquest) that it may be seen afar off.”</quote>
                           <lb/>
                           <bibl>—<title level="m" rendition="#pom_11310_incid_italic">Froissart, Berners’ Reprint</title>, 1812. Vol. ii. p.
                              893.</bibl>
                        </cit>
                     </p>
                  </note>
                  <note xml:id="pom_11310_broken_note_2_1" next="#pom_11310_broken_note_2_2">
                     <p rendition="#pom_11310_incid_word-spacing">‡ The monks of Newbottle were of the Cistertian order. “ They were called <lb/>
                        <emph>Monachi Albi</emph>,” says Cardonnel, “ to distinguish them from the <emph>Benedictines</emph>, whose</p>
                  </note>
                  <pb/>
                  <cb/>
                  <l rendition="#pom_11310_incid_line-break-2">“ Oh ! bethink thee, Knight,” the good <lb/>Frere said,</l>
                  <l rendition="#pom_11310_incid_line-break-9">“ I should kneel by his couch and <lb/><rhyme label="j" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">pray</rhyme> ;</l>
                  <l rendition="#pom_11310_indent-2"><seg ana="dvpp:sdAnaphora">How awful it is</seg> for the soul of man</l>
                  <l rendition="#pom_11310_indent">Unanneal’d to pass a<rhyme label="j" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">way</rhyme> !</l>
                  <l rendition="#pom_11310_indent-2"><seg ana="dvpp:sdAnaphora">How awful it is</seg>, with sins unshrived,</l>
                  <l rendition="#pom_11310_indent">To pass from the bed of <rhyme label="r" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">pain</rhyme> !</l>
                  <l rendition="#pom_11310_incid_line-break-2">Caerbarrin’s chief may a dead man <lb/>be,</l>
                  <l rendition="#pom_11310_indent">Ere thou comest hither a<rhyme label="r" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">gain</rhyme> !"</l>
               </lg>
               <lg rhyme="-w1-w1-x1-x1-j-j">
                  <head>IX<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l rendition="#pom_11310_incid_line-break-3">He must needs obey, he durst not say <lb/>nay,</l>
                  <l>That monk to the warrior <rhyme type="dvpp:rhymeMasculine" label="w1">stern</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-3">His corslet unlaced, and his helm un-<lb/>braced,</l>
                  <l>Down rattled among the <rhyme type="dvpp:rhymeMasculine" label="w1">fern</rhyme> :</l>
                  <cb/>
                  <l rendition="#pom_11310_incid_line-break-2">And he hath mounted the Frere’s <lb/>good steed,</l>
                  <l>Clad in mantle and cowl he <rhyme type="dvpp:rhymeMasculine" label="x1">rode</rhyme>,</l>
                  <l>Till ’neath him, on its own green knoll,</l>
                  <l><seg ana="dvpp:sdAnaphora">Caerbarrin’s</seg> turrets <rhyme type="dvpp:rhymeMasculine" label="x1">glow’d</rhyme>.*</l>
                  <l><seg ana="dvpp:sdAnaphora dvpp:sdVariant">Caerbarrin</seg> ! famed by History’s pen</l>
                  <l>In Scotland’s later <rhyme label="j" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">day</rhyme>,</l>
                  <l>When Both well fled, and Mary was led</l>
                  <l>In weeping beauty a<rhyme label="j" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">way</rhyme>.</l>
               </lg>
               <lg rhyme="-h-h-y1-y1-z1-z1">
                  <head>X<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>The warder hail’d him from the keep,</l>
                  <l>As through the forest of oak he <rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">hied</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-4">Now down the path, by the winding <lb/>strath,</l>
                  <l>That leads from Chalky<rhyme label="h" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">side</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-4"><seg ana="dvpp:sdAnaphora">“ Speed, speed thee !” cried the</seg> por-<lb/>ter old,</l>
                  <l>As the portals wide he <rhyme type="dvpp:rhymeMasculine" label="y1">threw</rhyme> ;</l>
                  <cb/>
                  <milestone type="line" unit="transition" rendition="#pom_11310_hidden #pom_11310_incid_showBlock"/>
                  <note xml:id="pom_11310_broken_note_2_2" prev="#pom_11310_broken_note_2_1">
                     <p rendition="#pom_11310_incid_note-p-3">habit was entirely black ; whereas the Cistertians wore a black cowl and scapular,
                        and<lb/>all their other clothes were white. They had the name of <emph>Cistertians</emph>, from their chief<lb/>house and
                        monasteries, Cistertium, in Burgundy ; and <emph>Bernardines</emph>, from St Bernard,<lb/>who, with a number of his followers,
                        retired to the monastery, and was afterwards<lb/>called Abbot of Clairvoux.”—<title level="m" rendition="#pom_11310_incid_italic">Picturesque Antiquities</title>, Part I., p. 12-13 ; and <title level="m" rendition="#pom_11310_incid_italic">Keith’s<lb/>Bishops</title>, p. 415.</p>
                     <p>There were thirteen monasteries of the Cistertian order in Scotland, among which<lb/>were Melrose, Dundrennan, Culross,
                        Sweetheart, and Glenluce.</p>
                  </note>
                  <note>
                     <p>* The ancient history of the lands of Carberry is lost in obscurity. The lower rooms<lb/>of the square tower are strongly
                        arched, and evidently of great age. At the time of the<lb/>Duke of Somerset’s expedition it was the property of Mr Hugh Rigg,
                        the king’s ad-<lb/>vocate, who is more than once mentioned in the histories of Knox and Pitscottie. We<lb/>observe also, from
                        the <emph>Inquisitiones Speciales</emph>, that the property was conveyed to seve-<lb/>ral subsequent generations of the same
                        family—from whom it passed to the Dicksons<lb/>—of whom we find that, during the Rebellion of 1745, Sir Robert was chief
                        bailie of<lb/>Musselburgh.</p>
                     <p>The assumption of the lords of this wealthy district having been donators to the<lb/>Abbey of Newbottle, however unwarranted
                        by record, is far from unlikely, the practice<lb/>having been a common one with the wealthy for very weighty reasons.</p>
                     <p>In 1184, as we learn from the Chartulary of Newbottle, (71,) Robert de Quincey,<lb/>the father of our hero, granted to the
                        monks of the Abbey the lands of Preston, where<lb/>they formed an agricultural establishment—hence called Prestongrange—with
                        common<lb/>of pasture for ten sheep, and a sufficiency of oxen to cultivate their grange. Seyer de<lb/>Quincey confirmed to
                        the monks all these privileges gifted by his father, by which con-<lb/>firmation we learn that their lands of Preston were
                        bounded on the west by the rivu-<lb/>let of Pinkie, in his manor of Travernent. </p>
                     <p>A curious fact is also ascertained by these charters of the De Quinceys, which is the<lb/>date at which coals were first
                        worked in Scotland ; and, in contradiction to the pre-<lb/>tensions of Fifeshire, this appears to have taken place on this
                        spot. The charter of<lb/>Robert grants to the monks the right of <emph>digging peats</emph> and of <emph>cutting wood</emph>
                        for fuel<lb/>whereas, in that of his son Seyer, we find the addition of “ <emph>carbonarium et quarrarium</emph>,” <lb/>with
                        free access to, and recess from the same by the sea.</p>
                     <p>“ This charter,” (that of Seyer,) says Chalmers in his erudite <title level="m" rendition="#pom_11310_incid_italic">Caledonia</title>, Vol. IL., <lb/>p. 486, “ must necessarily have been granted between the years 1202 and 1218,<lb/>as it
                        is witnessed by William, who became Bishop of St Andrew’s in 1202, and was<lb/>granted by Seyer de Quincey, who set out for
                        the Holy Land in 1218, where he died in<lb/>the subsequent year.”</p>
                     <p>From Keith’s <title level="m" rendition="#pom_11310_incid_italic">Scottish Bishops</title>, p. 15, we learn that William
                        Malvoisine was trans-<lb/> lated from the see of Glasgow to that of St Andrew’s in 1202. It is also added, on<lb/>the
                        authority of the <emph>Chart. of Dumfermline</emph>, that he was “ contemporary with Pope<lb/>Honorius and Sayerus de
                        Quincey.”</p>
                     <p>In connexion with the same family, we also find from the Chartulary of Newbottle,<lb/>that Elena, the youngest daughter of
                        Roger de Quincey, the Constable of Scotland,</p>
                  </note>
                  <pb/>
                  <l rendition="#pom_11310_incid_line-break-4"><seg ana="dvpp:sdAnaphora">“ Speed, speed thee !” cried the</seg>
                     sen-<lb/>tinel,</l>
                  <l>The court as he pass’d <rhyme type="dvpp:rhymeMasculine" label="y1">through</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-4">And “ Speed thee !” echo’d the sene-<lb/>schal,</l>
                  <cb/>
                  <l>As he show’d the way be<rhyme type="dvpp:rhymeMasculine" label="z1">fore</rhyme>,—</l>
                  <l>“ For much I fear, most holy Frere,</l>
                  <l rendition="#pom_11310_incid_line-break-5">That the struggle shall soon be <lb/><rhyme type="dvpp:rhymeHalf" label="z1">o’er</rhyme>.”</l>
               </lg>
               <cb/>
            </lg>
            <lg>
               <head rendition="#pom_11310_incid_head-3 #pom_11310_incid_head-lg-2">Fitte Third<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi>
               </head>
               <cb/>
               <lg rhyme="-a2-a2-j-j-b2-b2">
                  <head>I<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>Bright on Caerbarrin shines the sun,</l>
                  <l>But all within is woe and <rhyme type="dvpp:rhymeMasculine" label="a2">gloom</rhyme> ;</l>
                  <l>For there Sir Malcolm bends in death—</l>
                  <l>Before him yawns the <rhyme type="dvpp:rhymeHalf" label="a2">tomb</rhyme> !</l>
                  <l>Unfolded were the chamber doors,</l>
                  <l rendition="#pom_11310_incid_line-break-5">Where moan’d he, stretch’d in prone <lb/>de<rhyme type="dvpp:rhymeMasculine" label="j">cay</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-4">And his rattling breath spake of com-<lb/>ing death,</l>
                  <l>As life’s sands ebb’d a<rhyme type="dvpp:rhymeMasculine" label="j">way</rhyme> ;</l>
                  <l>But, when the mantled Monk he saw,</l>
                  <l>On his arm he strove to <rhyme type="dvpp:rhymeMasculine" label="b2">rise</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-4">And the light, that erst was waning <lb/>fast,</l>
                  <l>Flash’d back to his sunken <rhyme type="dvpp:rhymeMasculine" label="b2">eyes</rhyme>.</l>
               </lg>
               <lg rhyme="-c2-c2-d2-d2-s-s">
                  <head>II<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>“ Welcome ! holy Father,” he said,</l>
                  <l>In accents fond, but low and <rhyme type="dvpp:rhymeMasculine" label="c2">weak</rhyme>—</l>
                  <l rendition="#pom_11310_incid_line-break-2">“ I would pour my sins in thy pity-<lb/>ing ear,</l>
                  <l>And absolution <rhyme type="dvpp:rhymeMasculine" label="c2">seek</rhyme> ;</l>
                  <l>For I have been a sinful man,</l>
                  <l>And repent me of my <rhyme type="dvpp:rhymeMasculine" label="d2">sin</rhyme> ;</l>
                  <l>Yet, as pass the hopes of life away,</l>
                  <l>The terrors of death be<rhyme type="dvpp:rhymeMasculine" label="d2">gin</rhyme> ;</l>
                  <l>But chiefly would I tell to thee</l>
                  <l>My crime of the blackest <rhyme type="dvpp:rhymeMasculine" label="s">dye</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-2">Which a sea of tears might scarce <lb/>wash out,</l>
                  <l>Though I could weep it <rhyme type="dvpp:rhymeMasculine" label="s">dry</rhyme> !</l>
               </lg>
               <lg rhyme="-q-q-q1-q1-r-r">
                  <head>III<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>“ A gentle ladye my kinsman loved,</l>
                  <l>And before he cross’d the <rhyme type="dvpp:rhymeMasculine" label="q">sea</rhyme>,</l>
                  <l>To combat afar with the Saracen,</l>
                  <l>He trust reposed in <rhyme type="dvpp:rhymeMasculine" label="q">me</rhyme> ;</l>
                  <cb/>
                  <l>But a demon held my soul in thrall,</l>
                  <l>And evil thoughts within me <rhyme type="dvpp:rhymeMasculine" label="q1">brew’d</rhyme> ;</l>
                  <l>So, instead of nursing her love for him,</l>
                  <l>Her hand for myself I <rhyme type="dvpp:rhymeMasculine" label="q1">wood</rhyme>.</l>
                  <l>I threw forth doubts, that only were</l>
                  <l>The coinage of my <rhyme type="dvpp:rhymeMasculine" label="r">brain</rhyme>,</l>
                  <l>I praised her high fidelity,</l>
                  <l>Yet mourn’d that her love was <rhyme type="dvpp:rhymeMasculine" label="r">vain</rhyme> !”</l>
               </lg>
               <lg rhyme="-o-o-l1-l1-o-o">
                  <head>IV<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>Upstarted the Frere ;—“ Ah ! holy man,</l>
                  <l>Yet the worst I have not <rhyme type="dvpp:rhymeMasculine" label="o">told</rhyme> :</l>
                  <l rendition="#pom_11310_incid_line-break-2">In me—though sprung from noblest <lb/>blood—</l>
                  <l>A perjured wretch be<rhyme type="dvpp:rhymeMasculine" label="o">hold</rhyme> !—</l>
                  <l rendition="#pom_11310_incid_line-break-2">For my love that ladye no love re-<lb/>turn’d,</l>
                  <l>Although, with hellish <rhyme type="dvpp:rhymeMasculine" label="l1">sleight</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-2">We forged a cartel, whose purport <lb/>show’d</l>
                  <l>That De Quincey had fallen in <rhyme type="dvpp:rhymeMasculine" label="l1">fight</rhyme>.</l>
                  <l>Yes ! my suit that lofty ladye scorn’d—</l>
                  <l>More distant she look’d and <rhyme type="dvpp:rhymeMasculine" label="o">cold</rhyme> ;</l>
                  <l>And for my love no love return’d,</l>
                  <l rendition="#pom_11310_incid_line-break-9">Though I woo’d her with gifts and <lb/><rhyme type="dvpp:rhymeMasculine" label="o">gold</rhyme> !”</l>
               </lg>
               <lg rhyme="-x-x-h-h-s1-s1">
                  <head>V<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l rendition="#pom_11310_incid_line-break-2">Uprose the Frere ;—“ Nay, sit thee <lb/>down—</l>
                  <l>Not mine was the guilt a<rhyme type="dvpp:rhymeMasculine" label="x">lone</rhyme> :</l>
                  <l>Father Francis was the clerke thereof,</l>
                  <l>And his Abbey is your <rhyme type="dvpp:rhymeMasculine" label="x">own</rhyme> !</l>
                  <l>To fair Elena’s hand that scroll he bore,</l>
                  <l>Then she folded her palms, and <rhyme type="dvpp:rhymeMasculine" label="h">sigh’d</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-2">And she said, “ Since true he has died <lb/>to me,</l>
                  <l>I will be no other’s <rhyme type="dvpp:rhymeMasculine" label="h">bride</rhyme> !’</l>
                  <cb/>
                  <milestone type="line" unit="transition" rendition="#pom_11310_hidden #pom_11310_incid_showBlock"/>
                  <note>
                     <p rendition="#pom_11310_incid_note-p-3">married Alan la Zouche, an English baron, and that in the division of his great
                        estates<lb/>among his three daughters, the barony of Heriot fell to her share ; and that, in her<lb/>great liberality, she
                        granted to the monks of Newbottle the church of “ Heryeth,” will<lb/>the tithes and other riglts.—(Chart. 270.)</p>
                     <p>The lands themselves of Heryeth were afterwards acquired by the monks ; but whe-<lb/>ther from the liberality of Elena, or
                        from her son La Zouche, who lost his estates in the<lb/>succession wars, does not appear.</p>
                     <p>Such transfers of property to religious houses were of common occurrence. We have<lb/>already alluded to the cession of
                        Maisterton, by the daughters of Sir Robert de Rossine<lb/>—Mariot, who married Neil de Carrick, and Ada, the wife of Gilbert
                        de Ayton—in 1320 ;<lb/>and from the Chartulary of Newbottle we learn, that the monks had-various lands in<lb/>Clydesdale, in
                        order to have easy access to which, they obtained, from various proprie-<lb/>tors in Mid and West Lothian, special grants of
                        free passage to these distant granges.<lb/>—(Chart. 218 to 227, and 240.)</p>
                     <p>In conclusion we may add, as showing the extensive possessions at this early period<lb/>of the De Quincey family, that Roger
                        de Quincey, Earl of Winton, gave also to the<lb/>canons of Dryburgh a toft “ <title level="a">in villa de Hadintune</title>.”
                        —(Chart. Dryb. 106.)</p>
                  </note>
                  <pb/>
                  <cb/>
                  <l rendition="#pom_11310_incid_line-break-2">Still woo’d I her in her mourning <lb/>weeds,</l>
                  <l>Till she show’d a poniard <rhyme type="dvpp:rhymeMasculine" label="s1">bare</rhyme>,</l>
                  <l>And wildly vow’d—if again I vex’d</l>
                  <l>Her heart—to plunge it <rhyme type="dvpp:rhymeMasculine" label="s1">there</rhyme> !</l>
               </lg>
               <lg rhyme="-e2-e2-f2-f2-s-s">
                  <head>VI<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>“ Day after day, ray after ray,</l>
                  <l>She waned like an autumn <rhyme type="dvpp:rhymeMasculine" label="e2">sun</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-2">When droop the flowers, ’mid yellow <lb/>bowers,</l>
                  <l>And the waters wailing <rhyme type="dvpp:rhymeMasculine" label="e2">run</rhyme> :—</l>
                  <l>Day after day, like a broken rosebud,</l>
                  <l>She wither’d and she <rhyme type="dvpp:rhymeMasculine" label="f2">waned</rhyme>,</l>
                  <l>Till, of her beauty and wonted bloom,</l>
                  <l>But feeble trace re<rhyme type="dvpp:rhymeMasculine" label="f2">main’d</rhyme> :—</l>
                  <l rendition="#pom_11310_incid_line-break-2">Then seem’d she, like some saintly <lb/>form,</l>
                  <l>Too pure for the gazer’s <rhyme label="s" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">eye</rhyme>,</l>
                  <l>Melting away, from our earthly day,</l>
                  <l>To her element—the <rhyme label="s" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">sky</rhyme> !</l>
               </lg>
               <lg rhyme="g2h2g2h2-i2-i2-u-u">
                  <head>VII<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>“ She died—and then I felt re<rhyme type="dvpp:rhymeMasculine" label="g2">morse</rhyme>—</l>
                  <l>But how could I <rhyme type="dvpp:rhymeMasculine" label="h2">atone</rhyme> ?</l>
                  <l rendition="#pom_11310_incid_line-break-2">And I shook, when, by her breathless <lb/><rhyme type="dvpp:rhymeMasculine" label="g2">corse</rhyme>,</l>
                  <l>In silence I stood <rhyme type="dvpp:rhymeMasculine" label="h2">alone</rhyme> :—</l>
                  <l>Yes ! when I saw my victim lie,</l>
                  <l>Untimely, in her swathing <rhyme type="dvpp:rhymeMasculine" label="i2">shroud</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-2">The weight of my burden’d conscience <lb/>hung</l>
                  <l>Upon me like a <rhyme type="dvpp:rhymeMasculine" label="i2">cloud</rhyme> !</l>
                  <l rendition="#pom_11310_incid_line-break-2">There was no light—and all was <lb/>night,</l>
                  <l>And storm, and darkness <rhyme type="dvpp:rhymeMasculine" label="u">drear</rhyme> ;</l>
                  <l>By day ’twas joyless, and my sleep</l>
                  <l>Was haunted by forms of <rhyme type="dvpp:rhymeMasculine" label="u">fear</rhyme> !</l>
               </lg>
               <lg rhyme="-e2-e2-j2-j2-q1-q1">
                  <head>VIII<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>“ Lonely I stray’d, until, dismay’d,</l>
                  <l rendition="#pom_11310_incid_line-break-9">I sought the feast, where mirth was <lb/><rhyme label="e2" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">none</rhyme>,</l>
                  <l>Only to find that man is mind,</l>
                  <l>And form and features dust a<rhyme label="e2" type="dvpp:rhymeEye dvpp:rhymeCrossStanza">lone</rhyme>.</l>
                  <l>Yes—of my kinsman oft I dreamt—</l>
                  <l>Of his woe, and his vengeance <rhyme type="dvpp:rhymeMasculine" label="j2">dire</rhyme>,</l>
                  <l>Till yesternight he cross’d my sight,</l>
                  <l>Like a demon in his <rhyme type="dvpp:rhymeMasculine" label="j2">ire</rhyme>.</l>
                  <l>I had not heard of his home return—</l>
                  <l>Like a spectre there he <rhyme label="q1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">stood</rhyme>—</l>
                  <l>Appall’d I sauk, and his falchion drank</l>
                  <l>Deeply my forfeit <rhyme label="q1" type="dvpp:rhymeEye dvpp:rhymeCrossStanza">blood</rhyme>.</l>
               </lg>
               <lg rhyme="-s-s-k2-k2-l2-l2">
                  <head>IX<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>“ Oh ! grant remission of my sins,</l>
                  <l>A contrite, humbled man I <rhyme label="s" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">die</rhyme> !”</l>
                  <cb/>
                  <l>Ere yet the words were out, the monk</l>
                  <l>Beheld his glazing <rhyme label="s" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">eye</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-2">And vane away from the couch, he <lb/>said—</l>
                  <l>“ May Heaven forgive my <rhyme type="dvpp:rhymeMasculine" label="k2">vow</rhyme> !”</l>
                  <l>With horror thrill’d his yielding frame,</l>
                  <l>And he smote his bursting <rhyme type="dvpp:rhymeMasculine" label="k2">brow</rhyme> :</l>
                  <l rendition="#pom_11310_incid_line-break-2">Then pass’d he from the chamber <lb/>forth,</l>
                  <l><seg ana="dvpp:sdAnaphora">And</seg> in silence from the <rhyme type="dvpp:rhymeMasculine" label="l2">gate</rhyme>,</l>
                  <l rendition="#pom_11310_incid_line-break-2"><seg ana="dvpp:sdAnaphora">And</seg> off to the south, through the <lb/>steep hill pass,</l>
                  <l>On his steed he journey’d <rhyme type="dvpp:rhymeMasculine" label="l2">straight</rhyme>.</l>
               </lg>
               <lg rhyme="-----r-r-j-j">
                  <head>X<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>A weight of woe is at his heart,</l>
                  <l>Despair’s grey cloud is on his brows,</l>
                  <l>For hope and fear both disappear</l>
                  <l>In that absorbing <emph>now !</emph></l>
                  <l>The world is one vast wilderness,</l>
                  <l>Vain all its pomp, its honours <rhyme label="r" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">vain</rhyme> ;</l>
                  <l>De Quincey sigh’d, and onwards pass’d</l>
                  <l>Slowly with slacken’d <rhyme label="r" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">rein</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-2">Thus wound he down through Cous-<lb/>land glen,</l>
                  <l>O’erhung with willows <rhyme label="j" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">grey</rhyme>,</l>
                  <l>Until he came to the brackens green</l>
                  <l>Wherein Father Francis <rhyme label="j" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">lay</rhyme>.</l>
               </lg>
               <lg rhyme="-m2-m2-z1-z1-n2-n2">
                  <head>XI<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l rendition="#pom_11310_incid_line-break-2">“ Ho ! Frere, arise ! Thy cloak and <lb/>cowl</l>
                  <l>Have done their office <rhyme type="dvpp:rhymeMasculine" label="m2">meet</rhyme>.”</l>
                  <l rendition="#pom_11310_incid_line-break-2">Father Francis sprang from his lurk-<lb/>ing-place,</l>
                  <l>And stood at the warrior’s <rhyme type="dvpp:rhymeMasculine" label="m2">feet</rhyme>.</l>
                  <l rendition="#pom_11310_incid_line-break-2">“ Now, tell me,” cried De Quincey, <lb/>fierce,</l>
                  <l>“ For thou art learn’d in <rhyme type="dvpp:rhymeMasculine" label="z1">lore</rhyme>,</l>
                  <l>What the meaning of this riddle is</l>
                  <l>That a bird unto me <rhyme type="dvpp:rhymeMasculine" label="z1">bore</rhyme>—</l>
                  <l>A lady in her chamber mourn’d,</l>
                  <l>Her true knight he was a<rhyme type="dvpp:rhymeMasculine" label="n2">broad</rhyme>,</l>
                  <l>Fighting afar with the Saracen,</l>
                  <l>Under the Cross of <rhyme type="dvpp:rhymeMasculine" label="n2">God</rhyme> !</l>
               </lg>
               <lg rhyme="-----o2-o2-y1-y1">
                  <head>XII<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>“ A false Friend, and a falser Frere,</l>
                  <l>Combined to shake her faith ;</l>
                  <l rendition="#pom_11310_incid_line-break-2">They forged—ah ! wherefore dost thou <lb/>fear ?</l>
                  <l>Base caitiff, take thy death !”</l>
                  <l>The knight he struck him to the heart,</l>
                  <l>Through the branches with a <rhyme type="dvpp:rhymeMasculine" label="o2">crash</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-2">Down reel’d the corse, and in the <lb/>swamp</l>
                  <l>Sank with a sullen <rhyme type="dvpp:rhymeMasculine" label="o2">dash</rhyme>.*</l>
                  <cb/>
                  <milestone type="line" unit="transition" rendition="#pom_11310_hidden #pom_11310_incid_showBlock"/>
                  <note xml:id="pom_11310_broken_note_3_1" next="#pom_11310_broken_note_3_2">
                     <p rendition="#pom_11310_incid_word-spacing">* Cousland-dean, a ravine of considerable depth, which commences where
                        the<lb/>highway from Dalkeith branches off towards Pathhead on the right, and towards In-<lb/>veresk on the left, although now
                        partially drained, shows every indication of having<lb/>been in the olden time a wide and extensive morass ; and, at its
                        narrowest points, is</p>
                  </note>
                  <pb/>
                  <cb/>
                  <l>“ Thus perish all, who would enthrall</l>
                  <l>The guideless and the <rhyme type="dvpp:rhymeMasculine" label="y1">true</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break-2">Yet on head of mine no more shall <lb/>shine</l>
                  <l>The sun from his path of <rhyme type="dvpp:rhymeMasculine" label="y1">blue</rhyme>.</l>
               </lg>
               <lg rhyme="-j1-j1d-d--z1-z1">
                  <head>XIII<hi rendition="#pom_11310_hidden #pom_11310_incid_showInline">.</hi></head>
                  <l>“ No more on me shall pleasure smile—</l>
                  <l>A heartless, hopeless <rhyme type="dvpp:rhymeMasculine" label="j1">man</rhyme> ;</l>
                  <l>The tempest’s clouds of misery</l>
                  <l>Have darken’d for aye my <rhyme type="dvpp:rhymeMasculine" label="j1">span</rhyme>.</l>
                  <cb/>
                  <l>Farewell—farewell ! my native <rhyme type="dvpp:rhymeMasculine" label="d">land</rhyme>,</l>
                  <l>Hill, valley stream, and strath ;</l>
                  <l rendition="#pom_11310_incid_line-break-2"><seg ana="dvpp:sdAnaphora">And</seg> thou, who held my heart’s com-<lb/><rhyme type="dvpp:rhymeMasculine" label="d">mand</rhyme>,</l>
                  <l><seg ana="dvpp:sdAnaphora">And</seg> ye who cross’d my path.</l>
                  <l>Blow, blow ye winds ! in fury blow,</l>
                  <l>And waft us from this baleful <rhyme label="z1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">shore</rhyme> ;</l>
                  <l rendition="#pom_11310_incid_line-break">Rise, rise ye billows, and bear us <lb/>along,</l>
                  <l>Who hither return no <rhyme label="z1" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">more</rhyme> !”</l>
               </lg>
               <cb/>
               <note>
                  <p xml:id="pom_11310_broken_note_3_2" prev="#pom_11310_broken_note_3_1" rendition="#pom_11310_incid_note-p-3">still spanned by two
                     bridges, one of considerable antiquity. Indeed, the traces of the<lb/>water-course are still evident from behind Chalkyside, on
                     the west, running eastwards<lb/>along the hollow, midway between Elphinstone Tower and Cousland Park, where<lb/>it still assumes
                     the form of a rivulet.</p>
               </note>
               <note>
                  <p>* In the grants made by Seyer de Quincey to the Abbey of Newbottle, mention is made<lb/>of “ his baronies of Preston and Tranent,
                     bounded on the west by the rivulet of Pinkie.”<lb/>We find also, that Falsyde and Elphingston were in his possession ; and he is
                     elsewhere<lb/>styled Earl of Wyntoun, (<title level="m" rendition="#pom_11310_incid_italic">Caledonia</title>, vol. ii. 486, Note
                     6,) a proof that the barony of<lb/>that name formed also a part of his immense possessions. It is not a little curious,
                     there-<lb/>fore, that a charter of King William, the brother of Malcolm, surnamed the Maiden,<lb/>should be still extant,
                     wherein, in the thirteenth year of that monarch’s reign, he makes <lb/>
                     <emph>confirmation</emph> to Phillip de Seytune of the lands of Seytoune, Wintoun, and Winchelburgh,<lb/>(<emph>nunc</emph>
                     Winchburgh,) “ quhilk,” as Sir Richard Maitland observes, (<emph>Historie</emph>, p. 17,)<lb/>“ was auld heretage of befor, as
                     the said charter testifies.”</p>
                  <p rendition="#pom_11310_incid_word-spacing-4">“ Willielmus, Dei gra. rex Scotorum, &amp;c. Sciatis presentis et futuri, me
                     concessisse, et<lb/>hac carta mea confirmasse, Phillipo de Seytune, terram <emph>quæ fuit patris sui</emph> ;
                     scilicet,<lb/>Seytune, et Wintune, et Winchilburgh, tenendam sibi et hæredibus suis de me et hæredibus<lb/>meis, in fædo et
                     hæreditate,” &amp;c.</p>
                  <p rendition="#pom_11310_incid_word-spacing-5">Philip de Seytune was succeeded, on his death, by his son Alexander ; and, by an-<lb/>other
                     singular preservation, we have, in the forty-sixth year of the same King, another<lb/>royal charter of infeftment of the same
                     lands. It is nearly in the same words ; and,<lb/>strange to say, two of the witnesses to it are Robert de Quincey and Henry de
                     Quincey.<lb/>Both of these charters are printed in Dr M‘Kenzie’s <title level="a"> Lives of Scottish Writers.</title> They<lb/>have also been
                     transcribed by the author, or rather compiler of the Diplomata Scotice, which<lb/>transcripts are still preserved, being now, or
                     lately, in the possession of Mr Dillon, a<lb/>member of the Maitland Club.</p>
                  <p>In the succession wars, the De Quincey family took side with Baliol, and the Setons<lb/>with Bruce. Sir Christopher, or Chrystal
                     Seton saved the life of that great man at<lb/>the disastrous battle of Methven ; and afterwards married his sister. On the
                     acces-<lb/>sion of Bruce to the throne, the estates of the De Quinceys, being declared forfeited,<lb/>were conferred on the
                     Setons ; and in Sir Richard Maitland’s Chronicle we find, that<lb/>“ the said King Robert gave to the said Alexander (Seton) the
                     barony of Tranent,<lb/>with the tenendary thairof for the tyme, viz. Falsyde mylis and Elphinstoune, as the <lb/>charteris
                     testifiis, geven thairupoun.” The “ landis of Dundas and Cragye ” were also<lb/>bestowed upon him, “ for service done by his
                     futher and himself, with the landes and<lb/>barony of Barnis, aboue Hadingtoun, with dyuers uther landis, quhilk I omit for
                     schort-<lb/>nes.” — <title level="m" rendition="#pom_11310_incid_italic">Glasgow Reprint</title>, 1829, p. 21.</p>
                  <p>For centuries the name of De Quincey hath perished from out the rich and exten-<lb/>sive district which owned its sway ; and, in
                     contemplating the destinies of this once great<lb/>family, how apposite is the exclamation of Claudian— <lb/>
                     <l rendition="#pom_11310_note_l">—“ Tolluntur in altum</l>
                     <l rendition="#pom_11310_note_l-2">Ut lapsu graviore ruant !”</l>
                  </p>
               </note>
            </lg>
         </div>
      </body>
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</TEI>