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            <title>In a Country Churchyard</title>

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                  <forename>C.</forename>
                  <surname>Gibson</surname>
                  <name type="displayName">Gibson, C.</name>
               </persName>
               <persName type="pseudo">C. G.</persName>
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               <resp ref="resp:dtc"> Metadata research and editing <date notAfter="2023-08-16"/>
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                  <date when="2019-12-09"/>
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                  <surname>Fralick</surname>
                  <forename>Kaitlyn</forename>
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            <publisher>University of Victoria Digital Victorian Periodical Poetry Project</publisher>
            <pubPlace>Victoria, BC, Canada</pubPlace>
            <availability>
               <p>In the public domain</p>
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            <date notAfter="2023" notBefore="2016"/>
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            <note>Poet attribution: <title level="j">Chambers’s Journal</title> ledger indicates that Miss C. Gibbon, of Downieken, Dundee, was paid
               10s 6d for the poem (NLS Dep 341/370). (AC)</note>
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               <title level="j">Chambers’s Edinburgh Journal</title>
               <biblScope unit="series">5</biblScope>
               <biblScope unit="volume">7</biblScope>
               <biblScope unit="issue">351</biblScope>
               <biblScope unit="page" from="608" to="608">608</biblScope>
               <date when="1890-09-20"/>
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                     <incipit>’Mid waving grass the broken headstones lie ;</incipit>
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            <head>In a Country Churchyar<hi rendition="#pom_13159_incid_3">d<hi rendition="#pom_13159_hidden #pom_13159_incid_showInline">.</hi>
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                     <l>’<hi rendition="#pom_13159_incid_small-caps">Mid</hi> waving grass the broken headstones <rhyme type="dvpp:rhymeMasculine" label="a">lie</rhyme> ;</l>
                     <l rendition="#pom_13159_indent">The carven cross-bones show, the blades be<rhyme type="dvpp:rhymeMasculine" label="b">tween</rhyme>,</l>
                     <l rendition="#pom_13159_indent">And half-effaced, the once-known names are <rhyme type="dvpp:rhymeMasculine" label="b">seen</rhyme></l>
                     <l>’Neath bright-hued mosses, clinging tender<rhyme type="dvpp:rhymeSyllabic dvpp:rhymeCrossStanza" label="c">ly</rhyme>.</l>
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                     <l>No flower-decked mound here charms the passer-<rhyme type="dvpp:rhymeMasculine" label="a">by</rhyme> ;</l>
                     <l rendition="#pom_13159_indent">The dead sleep lost below the exuberant <rhyme type="dvpp:rhymeMasculine" label="b">green</rhyme> ;</l>
                     <l rendition="#pom_13159_indent">None cares to read what once their lives had <rhyme type="dvpp:rhymeMasculine" label="b">been</rhyme> ;</l>
                     <l>Their words, their deeds, have passed from memo<rhyme type="dvpp:rhymeSyllabic dvpp:rhymeCrossStanza" label="c">ry</rhyme>.</l>
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                  <l>It hurts our tender vanity to <rhyme type="dvpp:rhymeMasculine" label="d">know</rhyme></l>
                  <l rendition="#pom_13159_indent">That time may bring us to the same cold <rhyme type="dvpp:rhymeMasculine" label="e">plight</rhyme>,</l>
                  <l rendition="#pom_13159_indent">When we and all we love have passed from <rhyme type="dvpp:rhymeMasculine" label="e">sight</rhyme>,</l>
                  <l>And o’er our heads the untended grasses <rhyme type="dvpp:rhymeMasculine" label="d">grow</rhyme>.</l>
                  <l>The daily tide of life may ebb and <rhyme type="dvpp:rhymeMasculine" label="d">flow</rhyme>,</l>
                  <l rendition="#pom_13159_indent">But we shall rest within oblivion’s <rhyme type="dvpp:rhymeMasculine" label="e">night</rhyme>.</l>
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               <persName>C. G.</persName>
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