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            <title>Ballade: On His Lady Speaking or Singing</title>
            
            <author ref="pros:pass2">
               <persName>
                  <forename>T. H.</forename>
                  <surname>Passmore</surname>
                  <name type="displayName">Passmore, T. H.</name>
               </persName>
            </author>
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          Metadata research and editing
          <date notAfter="2023-08-16"/>
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                  <title level="m">DVPP</title> Project Team</name>
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                  <date when="2020-04"/>
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               <persName ref="dvpp:prs_ed_kshf">
                  <forename>Kailey</forename>
                  <surname>Fukushima</surname>
               </persName>
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         <publicationStmt>
            <publisher>University of Victoria Digital Victorian Periodical Poetry Project</publisher>
            <pubPlace>Victoria, BC, Canada</pubPlace>
            <availability>
               <p>In the public domain</p>
            </availability>
            
            <date notAfter="2023" notBefore="2016"/>
         </publicationStmt>
         <notesStmt>

            <note>Poem included in <title level="j">Chambers’s</title> 1900 Christmas Number, which is unnumbered but falls between issue 155 and 157. In the <title level="j">Chambers’s</title> issue for October 1900, the Christmas number is announced as <q>Ready December 1, 1900,</q> which is taken as the publication date (SP). <title level="j">Chambers’s Journal</title> ledger indicates that T. H. Passmore was paid 10s 6d for the poem (NLS Dep 341/371) (AC).</note>
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               <title level="j">Chambers’s Edinburgh Journal</title>
               <biblScope unit="series">6</biblScope>
               <biblScope unit="volume">3</biblScope>
               <biblScope unit="issue">156</biblScope>
               <biblScope unit="specialIssue">Christmas issue</biblScope>
               <biblScope unit="page" from="37" to="37">37</biblScope>
               <date when="1900-12-01"/>
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                     <incipit>There is a music that doth trance the ear</incipit>
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            <head>Ballade: On His Lady Speaking or Singing<hi rendition="#pom_12475_incid_3">
                  <hi rendition="#pom_12475_hidden #pom_12475_incid_showInline">.</hi>
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               <lg rhyme="ababbcbcababbcbcababbcbc">
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                     <l><hi rendition="#pom_12475_incid_small-caps">There</hi> is a music that doth trance the <rhyme type="dvpp:rhymeMasculine" label="a">ear</rhyme></l>
                     <l>And in the porches of the body <rhyme type="dvpp:rhymeMasculine" label="b">clings</rhyme>,</l>
                     <l rendition="#pom_12475_incid_line-break">Whereby the prisoned soul through sense may<lb/><rhyme type="dvpp:rhymeMasculine" label="a">hear</rhyme></l>
                     <l>Some cadence caught from heavenly choru<rhyme type="dvpp:rhymeMasculine" label="b">sings</rhyme> :</l>
                     <l>My soul needs no such ministers ; she <rhyme type="dvpp:rhymeMasculine" label="b">flings</rhyme></l>
                     <l>Her cumbrous robes aside, and all un<rhyme type="dvpp:rhymeMasculine" label="c">furled</rhyme></l>
                     <l>Leaps up to listen when one speaks or <rhyme type="dvpp:rhymeMasculine" label="b">sings</rhyme></l>
                     <l ana="dvpp:sdRefrain">Who owns the sweetest voice in all the <rhyme type="dvpp:rhymeMasculine" label="c">world</rhyme>.</l>
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                     <l>Music can make the spirit’s vision <rhyme label="a" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">clear</rhyme>,</l>
                     <l>And train her through sonorous ima<rhyme label="b" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">gings</rhyme></l>
                     <l>To light upon some antenatal <rhyme label="a" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">sphere</rhyme></l>
                     <l>Or brood on callow Time with prescient <rhyme label="b" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">wings</rhyme>.</l>
                     <l>My spirit out of space and time up<rhyme label="b" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">springs</rhyme>,</l>
                     <l>And, hovering at God’s open gates em<rhyme label="c" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">pearled</rhyme>,</l>
                     <l>Listens and learns unutterable <rhyme label="b" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">things</rhyme>,</l>
                     <l ana="dvpp:sdRefrain dvpp:sdVariant">Hearing the sweetest voice in all the <rhyme label="c" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">world</rhyme>.</l>
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                     <l>Music to men is Death’s dim pio<rhyme label="a" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">neer</rhyme>,</l>
                     <l>And many a mystic ambassage it <rhyme label="b" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">brings</rhyme></l>
                     <l>Of dubious hope or sadness, joy or <rhyme label="a" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">fear</rhyme>,</l>
                     <l rendition="#pom_12475_incid_line-break-2">From that high choir where Cicely’s censer<lb/><rhyme label="b" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">swings</rhyme>.</l>
                     <l>My music knows no vague interpre<rhyme label="b" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">tings</rhyme>,</l>
                     <l>No hinted bliss, nor cloudy menace <rhyme label="c" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">hurled</rhyme> ;</l>
                     <l>Only the clear refrain, ‘ I love you,’ <rhyme label="b" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">rings</rhyme></l>
                     <l ana="dvpp:sdRefrain dvpp:sdVariant">Under the sweetest voice in all the <rhyme label="c" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">world</rhyme>.</l>
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                  <head>L’Envoi<hi rendition="#pom_12475_hidden #pom_12475_incid_showInline">.</hi></head>
                  <lg rhyme="bcbc">
                     <l>Lady, around thy brows the King of <rhyme type="dvpp:rhymeMasculine" label="b">kings</rhyme></l>
                     <l>His earthly coronal of song hath <rhyme type="dvpp:rhymeMasculine" label="c">curled</rhyme></l>
                     <l rendition="#pom_12475_incid_line-break-3">To have thee sing in Heaven, whose thousand<lb/><rhyme type="dvpp:rhymeMasculine" label="b">strings</rhyme></l>
                     <l ana="dvpp:sdRefrain dvpp:sdVariant">Wait for the sweetest voice in all the <rhyme type="dvpp:rhymeMasculine" label="c">world</rhyme>.</l>
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               <persName>T. H. Passmore</persName>
               <hi rendition="#pom_12475_hidden #pom_12475_incid_showInline">.</hi>
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