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            <title>Maria de Torquemada Taking the Veil</title>
            
            <author ref="pros:crol1">
               <persName>
                  <forename>George</forename>
                  <surname>Croly</surname>
                  <name type="displayName">Croly, George</name>
               </persName>
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            <respStmt>
               <resp ref="resp:ill">Illustrator</resp>
               <persName ref="pros:west3">
                  <forename>Richard</forename>
                  <surname>Westall</surname>
                  <name type="displayName">Westall, Richard</name>
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          Metadata research and editing
          <date notAfter="2023-08-18"/>
               </resp>
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                  <title level="m">DVPP</title> Project Team</name>
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         <publicationStmt>
            <publisher>University of Victoria Digital Victorian Periodical Poetry Project</publisher>
            <pubPlace>Victoria, BC, Canada</pubPlace>
            <availability>
               <p>In the public domain</p>
            </availability>
            
            <date notAfter="2023" notBefore="2016"/>
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         <notesStmt>

            <note>Poem signed <q>The Rev. George Croly.</q> (SP)</note>
         </notesStmt>
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            <bibl corresp="dvpp:bib_25" n="FmeN">
               <title level="j">Forget-Me-Not</title>
               <biblScope unit="volume">1827</biblScope>
               <biblScope unit="page" from="87" to="88">87–88</biblScope>
               <date when="1827"/>
            </bibl>
            <msDesc>
               <msContents>
                  <msItem>
                     <incipit>There is a spot, a holy spot</incipit>
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         <change who="dvpp:prs_ed_kaf" when="2022-02-26">Corrected and proofed @ana keywords, catRef, figure, and figDesc.</change>
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         <div type="poem">
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               <figDesc>A young woman dressed in a flowing light-coloured dress and cape stands at the doorway of a convent before a group of three
                  nuns. The woman looks behind her shoulder with an expression of concern on her face. The nun who stands at the front of the group
                  holds one of the woman’s hands in both of hers. The second nun holds a large, thin, and ornate cross up in the air. The convent has
                  pointed, Gothic-style archways and statues set into niches on the building’s façade. There are trees and plants in the background.
                  Full-page illustration contained within a double-ruled border.</figDesc>
               <!--KSHF: poem text identifies building as a convent p. 88-->
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