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            <title>Crowned Heads</title>
            
            <author ref="pros:teul1">
               <persName>
                  <forename>Harriet Mary</forename>
                  <surname>Teulon</surname>
                  <name type="displayName">Teulon, Harriet Mary</name>
               </persName>
               <persName type="pseudo">H. Mary T.</persName>
            </author>
            
            <respStmt>
               <resp ref="resp:ill">Illustrator</resp>
               <persName ref="pros:mcta1">
                  <forename>William</forename>
                  <surname>McTaggart</surname>
                  <name type="displayName">McTaggart, William</name>
               </persName>
            </respStmt>
            <respStmt>
               <resp ref="resp:dtc">
          Metadata research and editing
          <date notAfter="2023-08-20"/>
               </resp>
               <name ref="lp:projectTeam">
                  <title level="m">DVPP</title> Project Team</name>
            </respStmt>
            <respStmt>
               <resp ref="resp:mrk">
                  <date when="2022"/>
               </resp>
               <persName ref="dvpp:prs_en_500_lm">
                  <forename>Liam</forename>
                  <surname>McParland</surname>
               </persName>
            </respStmt>
         </titleStmt>
         <publicationStmt>
            <publisher>University of Victoria Digital Victorian Periodical Poetry Project</publisher>
            <pubPlace>Victoria, BC, Canada</pubPlace>
            <availability>
               <p>In the public domain</p>
            </availability>
            
            <date notAfter="2023" notBefore="2016"/>
         </publicationStmt>
         <notesStmt>

            <note>Poet attribution: <q>H. Mary T.</q> is the pseudonym of Harriet Mary Teulon. This poem presents each section in two separate adjacent columns, below the illustration, with one entitled <title level="a">Above</title> and the other <title level="a">Below.</title> Because the page is one compositional unit, the poem is included as one poem (rather than two separate poems) with the overall title <title level="a">Crowned Heads.</title> (AC)</note>
         </notesStmt>
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            <bibl corresp="dvpp:bib_6" n="GoodW">
               <title level="j">Good Words</title>
               <biblScope unit="volume">2</biblScope>
               <biblScope unit="page" from="273" to="273">273</biblScope>
               <date when="1861-05"/>
            </bibl>
            <msDesc>
               <msContents>
                  <msItem>
                     <incipit>A little room with rugless floor,</incipit>
                  </msItem>
               </msContents>
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         <change who="dvpp:prs_ed_kaf" when="2023-03-26">Column work.</change>
         <change who="dvpp:prs_ed_kaf" when="2023-03-09">Proofed and verified poem.</change>
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         <div type="poem" rhyme="IRREGULAR" rendition="#pom_379_incid_poem">
            <head>Crowned Heads<hi rendition="#pom_379_hidden #pom_379_incid_showInline">.</hi>
            </head>
            <figure resp="dvpp:rs_ed_kshf" ana="dvpp:fcActionReading dvpp:fcConceptsandThemesDomestic dvpp:fcConceptsandThemesPoverty dvpp:fcConceptsandThemesRelationshipRomantic dvpp:fcLivingThingPersonAdultElder dvpp:fcLivingThingPersonAdultMan dvpp:fcLivingThingPersonAdultWoman dvpp:fcLivingThingPersonMultiple dvpp:fcLivingThingPlant dvpp:fcObjectBook dvpp:fcObjectDomestic dvpp:fcSettingBuildingInterior dvpp:fcSettingDomestic">
               <figDesc>An elderly couple sit together in a small cottage room in front of a hearth. The woman is seated in full view closest to the
                  hearth. She wears a shawl and a bonnet and rests her arms in her lap. The man is depicted sitting in profile view, positioned toward
                  his wife and the hearth. He holds a book open at the table. A cloth garment with frayed edges drapes over the back of his chair. The
                  room in which they sit is sparsely decorated. It has one gridded window, through which a plant is visible, and a single candlestick
                  holder positioned on the mantle. There is a simple portière, suggesting an entrance to another room. 1/2-page illustration contained
                  within a single-ruled
                  border.<!--The open book is blank but the poem text suggests the act of reading; hence, the @ana value.--></figDesc>
            </figure>
            <cb/>
            <lg rhyme="abbaccdeedffgghh">
               <head>Below<hi rendition="#pom_379_hidden #pom_379_incid_showInline">.</hi></head>
               <l><hi rendition="#pom_379_incid_small-caps">A little</hi> room with rugless <rhyme type="dvpp:rhymeMasculine" label="a">floor</rhyme>,</l>
               <l rendition="#pom_379_indent-1">And the Winter <rhyme type="dvpp:rhymeMasculine" label="b">blast</rhyme>,</l>
               <l rendition="#pom_379_indent-1">As it whistles <rhyme type="dvpp:rhymeMasculine" label="b">past</rhyme>,</l>
               <l>Piercing in at the slender <rhyme type="dvpp:rhymeMasculine" label="a">door</rhyme>. </l>
               <l>In the window-sill a plant or <rhyme type="dvpp:rhymeMasculine" label="c">two</rhyme>,</l>
               <l>Thriving as plants are apt to <rhyme type="dvpp:rhymeMasculine" label="c">do</rhyme></l>
               <l rendition="#pom_379_indent-2">In a cottage <rhyme type="dvpp:rhymeMasculine" label="d">frame</rhyme>,</l>
               <l rendition="#pom_379_indent-1">Where the light of <rhyme type="dvpp:rhymeMasculine" label="e">day</rhyme></l>
               <l rendition="#pom_379_indent-1">Hath its wildest <rhyme type="dvpp:rhymeMasculine" label="e">play</rhyme>,</l>
               <l rendition="#pom_379_indent-2">And no curtains send it out a<rhyme type="dvpp:rhymeHalf" label="d">gain</rhyme>.</l>
               <l><seg ana="dvpp:sdAnaphora">A</seg> table bare, and one old <rhyme type="dvpp:rhymeMasculine" label="f">book</rhyme>,</l>
               <l>In which their eyes grow bright to <rhyme type="dvpp:rhymeMasculine" label="f">look</rhyme> ;</l>
               <l><seg ana="dvpp:sdAnaphora">A</seg> smouldering fire, and two big <rhyme type="dvpp:rhymeMasculine" label="g">chairs</rhyme>,</l>
               <l><seg ana="dvpp:sdAnaphora">A</seg> bed for the feeble, brought down the <rhyme type="dvpp:rhymeMasculine" label="g">stairs</rhyme>.</l>
               <l>And there, in the last faint flicker of <rhyme type="dvpp:rhymeMasculine" label="h">life</rhyme>,</l>
               <l><seg ana="dvpp:sdAnaphora">A</seg> grey old man and his helpless <rhyme type="dvpp:rhymeMasculine" label="h">wife</rhyme>.</l>
            </lg>
            <cb/>
            <lg rhyme="iijjkklllmmnnoeoepp">
               <head>Above<hi rendition="#pom_379_hidden #pom_379_incid_showInline">.</hi></head>
               <l>A new-turned grave of still de<rhyme type="dvpp:rhymeMasculine" label="i">cay</rhyme>—</l>
               <l>And a home of spirits away—a<rhyme type="dvpp:rhymeMasculine" label="i">way</rhyme>—</l>
               <l>A blissful home, so passing <rhyme type="dvpp:rhymeMasculine" label="j">fair</rhyme></l>
               <l>As none may tell who have not been <rhyme type="dvpp:rhymeMasculine" label="j">there</rhyme> ;—</l>
               <l rendition="#pom_379_indent-3">A human form with scars too <rhyme type="dvpp:rhymeMasculine" label="k">deep</rhyme></l>
               <l rendition="#pom_379_indent-3">For a tearless gaze, if spirits <rhyme type="dvpp:rhymeMasculine" label="k">weep</rhyme>—</l>
               <l>His riven brow with triumph <rhyme type="dvpp:rhymeMasculine" label="l">crown’d</rhyme>—</l>
               <l>And a countless host of subjects <rhyme type="dvpp:rhymeMasculine" label="l">round</rhyme>,</l>
               <l>Bowed in the hush of love pro<rhyme type="dvpp:rhymeMasculine" label="l">found</rhyme> !</l>
               <l rendition="#pom_379_indent-3">A voiceless choir, a waiting <rhyme type="dvpp:rhymeMasculine" label="m">throng</rhyme>,</l>
               <l rendition="#pom_379_indent-3">Ready to burst in instant <rhyme type="dvpp:rhymeMasculine" label="m">song</rhyme>.</l>
               <l>Soon as the word “ Come forth,” is <rhyme type="dvpp:rhymeFeminine" label="n">given</rhyme>,</l>
               <l>And their bodies rise to their souls in <rhyme type="dvpp:rhymeHalf" label="n">heaven</rhyme> !</l>
               <l rendition="#pom_379_indent-1">Princely among the princely <rhyme type="dvpp:rhymeMasculine" label="o">race</rhyme>,</l>
               <l rendition="#pom_379_indent-1">And near the King, in bright ar<rhyme label="e" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">ray</rhyme>,</l>
               <l rendition="#pom_379_indent-1">Sunn’d with the glory of his <rhyme type="dvpp:rhymeMasculine" label="o">face</rhyme>,</l>
               <l rendition="#pom_379_indent-5">Who are <rhyme label="e" type="dvpp:rhymeMasculine dvpp:rhymeCrossStanza">they</rhyme> ?</l>
               <l rendition="#pom_379_indent-4">Who but the helpless, aged <rhyme type="dvpp:rhymeMasculine" label="p">poor</rhyme>,</l>
               <l rendition="#pom_379_indent-4">Whose coffins pass’d from a cottage <rhyme type="dvpp:rhymeMasculine" label="p">door</rhyme> !</l>
            </lg>
            <byline>
               <persName>H. Mary T.</persName>
            </byline>
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