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X. An Enigma

POEM DETAILS

Poem details

X. An Enigma

METADATA

Metadata

X. An Enigma

Poet(s)

Lucianus

Credits

Translator

Hay, William Mcleager

Metadata research and editing

DVPP Project Team

Source

Blackwood’s Edinburgh Magazine 39:247, 599, May 1836.

First line

Hater of poverty, and scourge of those

Original language

Greek

Document status

Generated: The file was automatically generated from metadata in the project metadata database.

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Linked as a series in non-consecutive issues

I. Description of a Picture
II. On the Picture of a Satyr Holding a Pipe to his Ear and Listening to its Music
III. (“I, Eteocles, lured by hope of gain”)
IV. Agathias the Scholiast to Paul to Silentiary
V. (“The rebel Eros owns no code of laws”)
VI. On Spring
VII. (“My love for Heliodora oft my soul”)
I. The Grasshopper and Bird-Catcher
II. To Mary
III. Love Grove
IV. On a Bath Called Cupid
V. Eros Crowned
VI. Fortune Capricious
VII. Life Short
VIII. Epitaph
IX. Pan
X. On the Death of Aristomenes
XI. Alco and his Ox
XII. On a Fountain Called the Pure
XIII. On a Vineyard Guarded by Pan
XIV. On a Temple to Venus
XV. “Some dæmon seized the bridegroom, seized the bride”
XVI. The Ivy and the Vine
XVII. A Faithful Disciple
XVIII. On an Image of Pan
XIX. Hymn to Venus
Epitaph
I. On the House of Maximinus, in Constantinople
II. On Justinian’s Gardens, Bordering on the Sea
III. On the Same Subject
IV. On a Medal Representing Venus Anadyomene
V. “In all the ripeness of they beauty’s prime”
VI. On a Portrait
VII. Eunicidas
VIII. To Cæsar
IX.”’Say Shepherd, whose these plants?’ ‘Athena, thine’”
X. To Philinnion
XI. On an Eclipse of the Sun
XII. On a Votive Conch
XIII. Cleson’s Goat
I. Hymn to Nemesis
II. The Power of Nemesis
III. On Parrhasius’ Picture of Philoctetes
IV. On the Rose
V. On a Muddy Fountain
VI. The Suicide
VII. (“Is thy hair bound”)
VIII. On a Cenotaph
IX. Epitaph
X. (“Archeanassa is my mistress now”)
I. His Introduction to His Anthology
II. On the Invention of Water-Mills
III. (“Praiseworthy are the Thracians, who lament”)
IV. On a Statue of Envy
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VI. Life
VII. Life
VIII. Life
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X. On Berytus, Destroyed by an Earthquake
I. On a Fountain
II. On a Bath Called Cupid
III. On a Lofty House in Byzantium
IV. The Power of Gold
V. “A certain fisher labouring at his trade”
VI. On a Bad Poet
VII. On a Tiresome Poet
VIII. On a Beautiful Girl
IX. (“The flute now sounded in the bridal room”)
X. Epitaph
XI. On a Tantalus Sculptured on a Drinking Cup
XII. (“Ye pensile boughs of the far-spreading oak”)
XIII. On the Iliad and Odyssey
XIV. On Pindar
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I. Hymn to Apollo
II. On Cupid Sleeping
III. Lovers’ Vows
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V. Epitaph on Casander
VI. On the Same
VII. On a Small Vessel
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VI. On a Fountain Sacred to Pan
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IX. The Summum Bonum
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XII. (“A dealer in cabbage and rue”)
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XIV. (“Why this vain toil and trouble, mortal man!”)
XV. (“Toss’d on a sea of troubles, oh! my soul”)
XVI. A Drinking Song
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II (“Sabinus, let this humble tablet show”)
III. Epitaph on a Child
IV. (“I know myself the being of a day”)
V. (“This is Aratus’ work, whose subtle mind”)
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XVI. On a Statue of Pan Piping
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IV. On a Husbandman
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VI. (“A Spartan mother slew her Spartan child”)
VII. (“To Pitana they Thrasybulus bore”)
VIII. (“A Spartan Venus! yes—for there she stands”)
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X. (“Hang there and linger on that folding door”)
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I. Love Grove
II.
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IV.
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VIII.
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X.
XI. ”(She that was called the Beautiful—(so named))”
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XVI. On a Fountain Dedicated to Silence
XVII.

Notes and attribution research

Poem included under the general title Translations from the Greek Anthology. (SP)

DVPP id

Numeric id of this poem in the DVPP collection: 11788

XML

TEI XML source

x

Alison Chapman (ed.) and the DVPP team, “X. An Enigma,” Digital Victorian Periodical Poetry Project, Edition 0.98.9beta, University of Victoria, 18th March 2024, https://dvpp.uvic.ca/blackwoods/1836/pom_11788_x_an_enigma.html.

For more information on citation, see How to cite the Digital Victorian Periodical Poetry Project.

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

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Please email any comments or corrections to alisonc@uvic.ca.