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IX. Epitaph

POEM DETAILS

Poem details

IX. Epitaph

METADATA

Metadata

IX. Epitaph

Poet(s)

Leonidas of Tarentum

Credits

Translator

Hay, William Mcleager

Metadata research and editing

DVPP Project Team

Source

Blackwood’s Edinburgh Magazine 40:252, 560, October 1836.

First line

Who, and who’s child art thou, who here dost lie

Original language

Greek

Document status

Generated: The file was automatically generated from metadata in the project metadata database.

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Linked as a series in non-consecutive issues

I. Description of a Picture
II. On the Picture of a Satyr Holding a Pipe to his Ear and Listening to its Music
III. (“I, Eteocles, lured by hope of gain”)
IV. Agathias the Scholiast to Paul to Silentiary
V. (“The rebel Eros owns no code of laws”)
VI. On Spring
VII. (“My love for Heliodora oft my soul”)
I. The Grasshopper and Bird-Catcher
II. To Mary
III. Love Grove
IV. On a Bath Called Cupid
V. Eros Crowned
VI. Fortune Capricious
VII. Life Short
VIII. Epitaph
IX. Pan
X. On the Death of Aristomenes
XI. Alco and his Ox
XII. On a Fountain Called the Pure
XIII. On a Vineyard Guarded by Pan
XIV. On a Temple to Venus
XV. “Some dæmon seized the bridegroom, seized the bride”
XVI. The Ivy and the Vine
XVII. A Faithful Disciple
XVIII. On an Image of Pan
XIX. Hymn to Venus
Epitaph
I. On the House of Maximinus, in Constantinople
II. On Justinian’s Gardens, Bordering on the Sea
III. On the Same Subject
IV. On a Medal Representing Venus Anadyomene
V. “In all the ripeness of they beauty’s prime”
VI. On a Portrait
VII. Eunicidas
VIII. To Cæsar
IX.”’Say Shepherd, whose these plants?’ ‘Athena, thine’”
X. To Philinnion
XI. On an Eclipse of the Sun
XII. On a Votive Conch
XIII. Cleson’s Goat
I. Hymn to Nemesis
II. The Power of Nemesis
III. On Parrhasius’ Picture of Philoctetes
IV. On the Rose
V. On a Muddy Fountain
VI. The Suicide
VII. (“Is thy hair bound”)
VIII. On a Cenotaph
X. (“Archeanassa is my mistress now”)
I. His Introduction to His Anthology
II. On the Invention of Water-Mills
III. (“Praiseworthy are the Thracians, who lament”)
IV. On a Statue of Envy
V. Life
VI. Life
VII. Life
VIII. Life
IX. On an Old Race-Horse
X. On Berytus, Destroyed by an Earthquake
I. On a Fountain
II. On a Bath Called Cupid
III. On a Lofty House in Byzantium
IV. The Power of Gold
V. “A certain fisher labouring at his trade”
VI. On a Bad Poet
VII. On a Tiresome Poet
VIII. On a Beautiful Girl
IX. (“The flute now sounded in the bridal room”)
X. Epitaph
XI. On a Tantalus Sculptured on a Drinking Cup
XII. (“Ye pensile boughs of the far-spreading oak”)
XIII. On the Iliad and Odyssey
XIV. On Pindar
XV. Epitaph on a Child
I. Hymn to Apollo
II. On Cupid Sleeping
III. Lovers’ Vows
IV. (“As nectar welling from the holy fount”)
V. Epitaph on Casander
VI. On the Same
VII. On a Small Vessel
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IV. On Cupid Sleeping in a Grove
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VI. On a Fountain Sacred to Pan
VII. (“Tell, by the Nymphs! wilt thou for me essay”)
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IX. The Summum Bonum
X. An Enigma
XI. (“His darling son a certain Doctor brought”)
XII. (“A dealer in cabbage and rue”)
I. Cupid Set Up for Sale
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III. Epitaph
IV. (“With his last breath, Antigenes the son”)
V. On a Statue of Pan
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VII. On an Old Race-Horse
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XIII. On Her Child’s Picture
XIV. (“Why this vain toil and trouble, mortal man!”)
XV. (“Toss’d on a sea of troubles, oh! my soul”)
XVI. A Drinking Song
I. (“Light barks of Helle’s strait, whose flagging sails”)
II (“Sabinus, let this humble tablet show”)
III. Epitaph on a Child
IV. (“I know myself the being of a day”)
V. (“This is Aratus’ work, whose subtle mind”)
VI. (“Here Sao, Dicos’ son, in sleep doth lie”)
VII. (“Me a dry plane-tree now,—this creeping vine”)
VIII. (“Would that my sire had taught his son to keep”)
IX. (“That love-creating cestus, from her breast”)
X. Hercules Wrestling With Antæus
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XII. Inscription on a Trophy at Thyrea
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XV. A Prayer
XVI. On a Statue of Pan Piping
I. The Nine Poetesses of Greece
II. (“Few subjects briefly treated form the lays”)
III. (“Thou who hadst lately birth to music given”)
IV. Epitaph on His Sister Eugenia
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XI. Epitaph on Timon the Misanthrope
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XV. On Appelles’ Picture of Venus Anadyomene
I. Epitaph on Lais
II. (“Rhegium, whose feet Trinacria’s straiten’d sea”)
III. Epitaph on Cleopatra
IV. On a Husbandman
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VI. (“A Spartan mother slew her Spartan child”)
VII. (“To Pitana they Thrasybulus bore”)
VIII. (“A Spartan Venus! yes—for there she stands”)
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X. A Prudent Astrologer
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XIII. Another View of the Same Subject
I. Spring an Idyl
II. On a Statue of Echo
III. Pan
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VII. Prayer to Venus
VIII. On a Statue of Niobe
IX. The Merle and Thrush. (Paraphrase)
X. (“Hang there and linger on that folding door”)
XI. On a Statue of Opportunity
XII. Epitaph on an Angler
I. Love Grove
II.
III. (“No gracious boon is life, if vexing cares”)
IV.
V. To a Blackbird
VI. (“While from the strand his line a fisher threw”)
VII. (“The poor man never lives, nor therefore dies”)
VIII.
IX. (“I mourned with tears Theionöe my wife”)
X.
XI. ”(She that was called the Beautiful—(so named))”
XII. Epitaph on Aristion, a Dancing Girl
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XIV. (“View not my tomb with pity, passer-by”)
XV.
XVI. On a Fountain Dedicated to Silence
XVII.

Notes and attribution research

Included under the general title Translations from the Greek Anthology (557-60). (SK)

DVPP id

Numeric id of this poem in the DVPP collection: 11870

XML

TEI XML source

x

Alison Chapman (ed.) and the DVPP team, “IX. Epitaph,” Digital Victorian Periodical Poetry Project, Edition 0.98.9beta, University of Victoria, 18th March 2024, https://dvpp.uvic.ca/blackwoods/1836/pom_11870_ix_epitaph.html.

For more information on citation, see How to cite the Digital Victorian Periodical Poetry Project.

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